Fitzwilliam Virginal Book, Volume Two (eBook)
512 Seiten
Dover Publications (Verlag)
978-0-486-17140-1 (ISBN)
The Fitzwilliam Virginal Book is "e;the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music,"e; according to Grove's Dictionary of Music and Musicians. Of unknown origins, the previously scarce collector's item is now available at popular prices for the first time. The pieces herein, while composed for the virginal, can be played without difficulty on piano or any other keyboard instrument.The nearly 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes, and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean music: compositions by Thomas Morley, Orlando Gibbons, Giles Farnaby, Thomas Warrock, Ferdinando Richardson, Peter Phillips, Thomas Tompkins, and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers, are represented by over 100 works.J. A. Fuller Maitland and W. Barclay Squire set the music into modern notation, preserving faithfully the intent of the composers. The peculiarities of the original notation, time signatures, fingering, and the like as well as the ecclesiastical modes and accidentals employed by the composers are explained in a lucid introduction, which also discusses the history of the manuscript, the individuals connected with it, the composers, and the structure of the virginal.For this extensively revised and corrected Dover edition, Blanche Winogron, noted musicologist and performer, undertook a thorough critical reexamination of the 1899 Maitland Squire edition by closely comparing it to a copy of the original manuscript (the original is in the Fitzwilliam Museum in Cambridge, England) from which it was transcribed. Numerous minor errors, misprints, and misinterpretations in the Maitland/Squire transcription have been corrected, resulting in a new edition closer to the original than ever before.The period of this music was one of transition from the older principles and systems of notation to modern theories. This, then, is a most important document for musicologists and others interested in the history of music. But it is also a source of delight, allowing for countless hours at the keyboard for all lovers of good music.
CX. Felix namque 2. Thomas Tallis. (1564)CXI. [Exercise]. AnonCXII. Daphne. Giles FarnabyCXIII. Pawles Wharfe. Giles FarnabyCXIV. Quodlings Delight. Giles FarnabyCXV. Praeludium [X]. John BullCXVI. Praeludium. Dor. [XIII*]. John BullCXVII. Praeludium [VII]. AnonCXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. SweelinckCXIX. In Nomine [IX]. John BullCXX. Praeludium [VII]. AnonCXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)CXXII. Galiarda. James Harding, set by ByrdCXXIII. Pavana. Thomas TomkinsCXXIV. Fantasia [I]. Thomas MorleyCXXV. Christe Redemptor. John BullCXXVI. The Maydens Song. William ByrdCXXVII. Put up thy Dagger, Jemy. Giles FarnabyCXXVIII. Bony sweet Robin (see No. XV). Giles FarnabyCXXIX. Fantasia [I]. Giles FarnabyCXXX. A Grounde. Thomas TomkinsCXXXI. Barafostus' Dream (see No. XVIII). Thomas TomkinsCXXXII. The Hunting Galliard. Thomas TomkinsCXXXIII. The Quadran Paven (see No. XXXI). William ByrdCXXXIV. Galiard to the Quadran Paven (see No. XXXIII)CXXXV. The King's Hunt. John BullCXXXVI. Pavana [I]. John BullCXXXVII. Galiarda [I]. John BullCXXXVIII. Dr. Bull's Juell. John BullCXXXIX. The Spanish Paven. John BullCXL. In Nomine. [John?] ParsonsCXLI. Wooddy-Cook. Giles FarnabyCXLII. The Duke of Brunswick's Alman. John BullCXLIII. Rosasolis. Giles FarnabyCXLIV. Psalme [140]. J. P. SweelinckCXLV. Alman [I]. Robert JohnsonCXLVI. Alman [I]. Robert JohnsonCXLVII. Alman. Robert Johnson, set by Giles FarnabyCXLVIII. The New Sa-Hoo. Giles FarnabyCXLIX. Nobody's Gigge. Richard FarnabyCL. Malt's come downe. William ByrdCLI. Praeludium [IX]. AnonCLII. Alman [XIII]. Thomas MorleyCLIII. Pavana [IX]. [Lachrymae.] Thomas MorleyCLIV. Galiarda [IX]. Thomas MorleyCLV. La Volta. William ByrdCLVI. Alman [VII]. William ByrdCLVII. Wolsey's Wilde. William ByrdCLVIII. Callino Casturame. William ByrdCLIX. La Volta. T. Morley, set by William ByrdCLX. Rowland. William ByrdCLXI. Why aske you. Anon (see No. CCLXXXVI)CLXII. The Ghost. William ByrdCLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William ByrdCLXV. Pavana [IX*]. William ByrdCLXVI. Galliarda [IX*]. William ByrdCLXVII. Pavana [I**]. William ByrdCLXVIII. Galiarda [I**]. William ByrdCLXIX. Pavana [XIII*]. Thomas MorleyCLXX. Galliarda [XIII*]. Thomas MorleyCLXXI. [deest, owing to an error in numbering]CLXXII. The Queenes Alman. William ByrdCLXXIII. A Medley. William ByrdCLXXIV. Pavana [IX]. William ByrdCLXXV. Galliarda [IX]. William ByrdCLXXVI. Miserere. 3 parts. William ByrdCLXXVII. Miserere. 4 parts. William ByrdCLXXVIII. Pakington's Pownde. AnonCLXXIX. The Irishe Dumpe. AnonCLXXX. Watkins Ale. AnonCLXXXI. A Gigg. William ByrdCLXXXII. Pipers Paven. Martin PeersonCLXXXII. Pipers Galliard. John BullCLXXXIII. Variatio ejusdem. John BullCLXXXIV. Praeludium. D. [XIII]. John BullCLXXXV. Galiarda [IX*]. John BullCLXXXVI. Galiarda [IX*]. John BullCLXXXVII. Allemanda. MarchantCLXXXVIII. Can Shee. AnonCLXXXIX. A Gigge. Doctor Bull's my selfe. John BullCXC. A Gigge. John BullCXCI. Sr. Jhon Grayes Galliard. W. B.CXCII. Preludium [VII]. John BullCXCIII. A Toy. Anon (see No. CCIV)CXCIV. Giles Farnaby's Dreame. Giles FarnabyCXCV. His Rest. Giles FarnabyCXCVI. His Humour. Giles FarnabyCXCVII. Fayne would I wedd. Richard FarnabyCXCVIII. A Maske. Giles FarnabyCXCIX. A Maske. Giles FarnabyCC. An Almain [VII]. AnonCCI. Corranto [VII]. AnonCCII. Alman [XIII]. AnonCCIII. Corranto [X]. AnonCCIV. Corranto [VII]. (See No. CXCIII.) AnonCCV. Corranto [I]. AnonCCVI. Daunce. AnonCCVII. Worster Braules. Thomas TomkinsCCVIII. Fantasia [VII]. Giles FarnabyCCIX. A Maske. Giles FarnabyCCX. Praeludium [IX]. John BullCCXI. [Praeludium] [V]. AnonCCXII. Martin sayd to his Man. AnonCCXIII. Almand. William TisdallCCXIV. Pavana Chromatica. William TisdallCCXV. Ut, re, mi, fa, sol, la. John BullCCXVI. Gipseis Round. William ByrdCCXVII. Fantasia [I*]. J. P. SweelinckCCXVIII. Coranto [IX]. William ByrdCCXIX. Pavana. Clement Cotton. William TisdallCCXX. Pavana [I*]. William TisdallCCXXI. Coranto [I]. AnonCCXXII. Alman. HooperCCXXIII. Corranto [I]. AnonCCXXIV. Corranto [I]. AnonCCXXV. Corranto [I*]. AnonCCXXVI. Corranto [VII]. AnonCCXXVII. Alman [III]. AnonCCXXVIII. Corranto. HooperCCXXIX. Fantasia [VII]. Giles FarnabyCCXXX. Loth to depart. Giles FarnabyCCXXXI. Fantasia [I]. Giles FarnabyCCXXXII. [Fantasia] [I*]. Giles FarnabyCCXXXIII. [Transcription of "Ay me, poore Heart."] Giles FarnabyCCXXXIV. [Fantasia] [I]. Giles FarnabyCCXXXV. Walter Erle's Paven. Giles FarnabyCCXXXVI. [Fantasia] [IX]. Giles FarnabyCCXXXVII. [Fantasia] [VII]. Giles FarnabyCCXXXVIII. Fantasia [VII]. Giles FarnabyCCXXXIX. The L. Zouches Maske. Giles FarnabyCCXL. Grounde. Giles FarnabyCCXLI. Coranto [XIII]. William ByrdCCXLII. Up T[ails] all. Giles FarnabyCCXLIII. Jhonson's Medley. Edward JohnsonCCXLIV. Nowel's Galliard. AnonCCXLV. Tower Hill. Giles FarnabyCCXLVI. Praeludium [XIII]. Giles FarnabyCCXLVII. The King's Morisco. AnonCCXLVIII. A Duo. Richard FarnabyCCXLIX. Alman [VII]. AnonCCL. A Galiard Ground. William InglotCCLI. The Leaves bee greene. William InglotCCLII. Pavana [IX]. William ByrdCCLIII. Galiarda [X]. William ByrdCCLIV. Pavana [IX*]. William ByrdCCLV. Galiarda [IX]. William ByrdCCLVI. Pavana [XIII]. William ByrdCCLVII. Pavana Fant[asia] [VIII]. William ByrdCCLVIII. Galiarda [VII]. William ByrdCCLIX. The Earle of Oxfords Marche. William ByrdCCLX. Galiarda. Jehan OystermayreCCLXI. Fantasia [VIII]. William ByrdCCLXII. The Duchesse of Brunwick's Toye. John BullCCLXIII. A Toye [VIII]. AnonCCXIV. Corranto [I]. AnonCCLXV. Lady Riche. AnonCCLXVI. Corranto [VIII]. AnonCCLXVII. A Gigge. Giles FarnabyCCLXVIII. A Toy [VII]. AnonCCLXIX. Galiarda [X]. Giles FarnabyCCLXX. A Toye [X]. Giles FarnabyCCLXXI. The Primerose. Martin PeersonCCLXXII. The Fall of the Leafe. Martin PeersonCCLXXIII. Farnabye's Conceit. Giles FarnabyCCLXXIV. Allemanda [VII]. AnonCCLXXV. Pavana. Canon, 2 in 1. William ByrdCCLXXVI. Pescodd Time. William Byrd (see No. LIX)CCLXXVII. Pavana. Delight. Edward Johnson, set by William ByrdCCLXXVIII. Galiarda. Edward Johnson, set by William ByrdCCLXXIX. Miserere, 3 parts. John BullCCLXXX. Tell mee, Daphne. Giles FarnabyCCLXXXI. Mal Sims. Giles FarnabyCCLXXXII. Munday's Joy. John MundayCCLXXXIII. Rosseter's Galiard, set by Giles FarnabyCCLXXXIV. The Flatt Pavan. Giles FarnabyCCLXXXV. Pavana [VII]. Giles FarnabyCCLXXXVI. Why aske you. (See No. CLXI.) Giles FarnabyCCLXXXVII. Farmer's Paven. Giles FarnabyCCLXXXVIII. Dalling Alman. AnonCCLXXXIX. The Old Spagnoletta. Giles FarnabyCCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)CCXCI. Meridian Alman. Set by Giles FarnabyCCXCII. Pavana. Orlando GibbonsCCXCIII. Muscadin. Giles Farnaby (see No. XIX)CCXCIV. Lady Montegle's Paven. William ByrdCCXCV. Galiarda. William TisdallCCXCVI. Fantasia [I]. Giles FarnabyCCXCVII. Hanskin. Richard Farnaby
| Erscheint lt. Verlag | 24.7.2013 |
|---|---|
| Reihe/Serie | Dover Classical Piano Music | Dover Music for Piano |
| Sprache | englisch |
| Maße | 210 x 210 mm |
| Gewicht | 1157 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Schlagworte | baroque keyboard music • dover music scores • John Bull keyboard music • Thomas Tomkins keyboard music • William Byrd keyboard music |
| ISBN-10 | 0-486-17140-X / 048617140X |
| ISBN-13 | 978-0-486-17140-1 / 9780486171401 |
| Haben Sie eine Frage zum Produkt? |
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