Vital Resonances
Encountering Film with Varda, Haneke and Nancy
Seiten
2021
Edinburgh University Press (Verlag)
978-1-4744-3695-3 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-3695-3 (ISBN)
Establishes resonance as a critical and conceptual paradigm for film analysis bringing together, for the first time, the work of three of the leading figures in European film: Agnes Varda, Michael Haneke and Jean-Luc Nancy.
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body resonance has been brushed over. Through the work of three leading figures in European cinema, Agnes Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body resonance has been brushed over. Through the work of three leading figures in European cinema, Agnes Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
Francesca Minnie Hardy, Senior Lecturer, Nottingham Trent University.
Erscheinungsdatum | 16.11.2020 |
---|---|
Zusatzinfo | 12 B/W illustrations |
Verlagsort | Edinburgh |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
ISBN-10 | 1-4744-3695-1 / 1474436951 |
ISBN-13 | 978-1-4744-3695-3 / 9781474436953 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Buch | Softcover (2022)
Springer Vieweg (Verlag)
39,99 €
und wie man sie vermeidet
Buch | Softcover (2022)
C.H.Beck (Verlag)
14,00 €