Character Sketch

Helen Q. Huang 黄其智has designed costumes for theaters throughout the United States and abroad. The recipient of both the Helen Hayes Award for Outstanding Costume Design and the Ivey Awards, she is also a professor of the MFA Costume Design Program in the School of Theatre, Dance, and Performance Studies at the University of Maryland, College Park. Helen’s design work has been exhibited as part of “Costume at the Turn of the Century” at the A.A. Bakhrushin Museum in Moscow; in the exhibition “Curtain Call: Celebrating a Century of Women Designing for Live Performance” at the New York Public Library and Lincoln Center; and the Prague Quadrennial. She has designed internationally for the China National Opera House, and China Central Television. Nationally she has designed for Oregon Shakespeare Festival, The Guthrie Theater, George Street Playhouse, The Classic Stage Company New York, Milwaukee Repertory Theater, The Children’s Theatre Company of Minneapolis, Syracuse Stage, Seattle Repertory Theatre, Utah Shakespeare Festival, The Wilma Theater, Philadelphia Theatre Company, Playmakers Repertory Theatre, The Arden Theatre, Disney Creative Entertainment, and Boston Lyric Opera. Her designs in the Washington, D.C. region have included work for The Washington Ballet, Woolly Mammoth Theatre Company, Studio Theatre, Folger Theatre, Ford’s Theatre, Round House Theatre, Signature Theatre, Arena Stage, Shakespeare Theatre Company, and Olney Theatre.

Table of Contents

Introduction: The act of drawing is the act of design

Part 1: Creating the Sketch

Proportion of the figure

Gesture Sketches

Core Masses of the Figure

The Head and Face

Arms and legs

Hand and foot

Feet and shoes

The Costume Sketch: Step-by-Step

Finding the Pose for the character

The Expression of Pencil Strokes

Part 2: Watercolor Techniques

Tools: Paint

Brushes

Paper

Techniques:

Painting Skin

Flat Wash

Wet-on-Wet

Dry Brush

Painting Wool

Painting Black Costumes

Painting White Costumes

Painting Patterns

Watercolor Techniques in Practice

Part 3: Putting Skills into Practice

Doodling

Gestural Poses

Grouping

Incorporating Research

Color Concepts

Part 4: Costume Sketch Gallery