Changing Tunes: The Use of Pre-existing Music in Film
Routledge (Verlag)
978-1-138-27323-8 (ISBN)
Phil Powrie is Professor at the Centre for Research into Film & Media, University of Newcastle upon Tyne, UK. Robynn Stilwell is Assistant Professor at the Department of Art, Music and Theater, Georgetown University, USA.
Contents: Introduction. Part I Pre-existing Classical Film Scores: Ears wide open: Kubrick's music, Claudia Gorbman; Classical music, ambiguity and film, Mike Cormack; The Godfather Part III: film, opera and the generation of meaning, Lars Franke; High and low culture: Bizet's Carmen and the cinema, Ann Davies; Reconsidering Amadeus: Mozart as film music, Jeongwon Joe; The troll amongst us, Kristi A. Brown. Part II Popular Music and Film: Queer pleasures: the bolero, camp and Almodóvar, Vanessa Knights; Music, electricity, and the 'sweet mystery of life' in Young Frankenstein, Raymond Knapp; Popular song as leitmotiv in Pulp Fiction and Trainspotting, Ronald Rodman; The fabulous destiny of the accordion in French cinema, Phil Powrie; Vinyl communion: the record as ritual object in girls' rites-of-passage films, Robynn Stilwell; Narrating sound: the pop video in the age of the sampler, Timothy Warner. Filmography; Bibliography; Index.
Erscheinungsdatum | 07.04.2022 |
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Reihe/Serie | Ashgate Popular and Folk Music Series |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
ISBN-10 | 1-138-27323-6 / 1138273236 |
ISBN-13 | 978-1-138-27323-8 / 9781138273238 |
Zustand | Neuware |
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