Wom Pol Perf S/Afr Thre Vol 2

Goodman L,

Chapter 1 Speaking With and Without Words—An Interview with Nomhle Nkonyeni, Lizbeth Goodman; Chapter 2 Two Conversations with Yvonne Banning about Gender and Drama in South African Theatre During and After Apartheid, Lizbeth Goodman; Chapter 3 A Conversation with Janet Suzman on South African Theatre and the Politics of the ‘Classics’: Shakespeare and Brecht During and After the Cultural Boycott, Lizbeth Goodman; Chapter 4 A Comparative Perspective on Two Plays by South African Women, Michael Picardie; Chapter 5 ‘My English Name is Patience’: Mediating the Voice of the Other in South African Theatre Today, Dennis Walder; Chapter 6 Patterns of Change; Audience, Attendance, and Music at the 1994 Grahamstown Festival, Dudley Pietersen;