Digital Audio Editing

Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One

Simon Langford (Autor)

Buch | Hardcover

336 Seiten

2017
Routledge (Verlag)
978-1-138-46888-7 (ISBN)

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Whether you‘re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You‘ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avids Pro Tools, Apple‘s Logic Pro, Steinberg‘s Cubase, and PreSonus‘s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.

Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).

What exactly is audio editing?

Chapter One: Audio Editing 101

Chapter Two: The Different Aims Of Audio Editing

Section One: Corrective Editing

Chapter Three: Cutting, Copying, Pasting and Moving

Chapter Four: Fades and Crossfades

Chapter Five: Level Control

Chapter Six: Tonal Matching

Chapter Seven: Comping and Alternate Takes

Chapter Eight: Multi-track Comping

Chapter Nine: Transient Detection

Section Two: Creative Editing

Chapter Ten: Beat-mapping and Recycling

Chapter Eleven: Drum Replacement

Chapter Twelve: Time-stretching

Chapter Thirteen: Elastic Audio (Time)

Chapter Fourteen: Pitch Shifting

–Section Three: Restorative Editing

Chapter Fifteen: Editing In The Third Dimension

Chapter Sixteen: Spectral Editing

Chapter Seventeen: Applications of Audio Restoration

Chapter Eighteen: Demixing

Chapter Nineteen: Thinking Outside The Box

Erscheinungsdatum	07.10.2017
Verlagsort	London
Sprache	englisch
Maße	191 x 235 mm
Gewicht	453 g
Themenwelt	Kunst / Musik / Theater ► Musik
Themenwelt	Mathematik / Informatik ► Informatik
ISBN-10	1-138-46888-6 / 1138468886
ISBN-13	978-1-138-46888-7 / 9781138468887
Zustand	Neuware