Theory Essentials for Today's Musician (Textbook and Workbook Package)
Routledge
978-1-138-09875-6 (ISBN)
Basic Tools
Chromatic Harmony
Form and Analysis
The 20th Century and Beyond
Theory Essentials features clear and jargon-free (yet rigorous) explanations appropriate for students at all levels, ensuring comprehension of concepts that are often confusing or obscure. An accompanying workbook provides corresponding exercises, while a companion website presents streaming audio examples. This concise and reorganized all-in-one package—which can be covered in a single semester for a graduate review, or serve as the backbone for a briefer undergraduate survey—provides a comprehensive, flexible foundation in the vital concepts needed to analyze music.
PURCHASING OPTIONS
Textbook and Workbook Package (Paperback): 9781138098756
Textbook Only (Hardback): 9781138708815
Textbook Only (Paperback): 9781138708822
Textbook Only (eBook): 9781315201122
Workbook Only (Paperback): 9781138098749
Workbook Only (eBook): 9781315103839
Companion website coming soon!
Until then, please visit the website for Theory for Today's Musician, Second Edition: http://www.routledgetextbooks.com/textbooks/9780415663335
Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of thirty-five years of teaching in the music theory classroom. He is the co-author of Theory for Today’s Musician. Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music. He is the co-author of Theory for Today’s Musician.
PART ONE: BASIC TOOLS
Chaper 1: Elements of Diatonic Harmony
Chapter 2: Cadences and Harmonic Rhythm
Chapter 3: The Outer-Voice Framework/Embellishing Tones
Chapter 4: Part Writing and Chorale Analysis I
Chapter 5: Part Writing and Chorale Analysis II
Chapter 6: Part Writing and Chorale Analysis III
PART TWO: CHROMATIC HARMONY
Chapter 7: Secondary Function
Chapter 8: Modulation I
Chapter 9: Mixing Modes
Chapter 10: Altered Pre-Dominants and Dominants
Chapter 11: Modulation II
Chapter 12: Harmonic Extensions and Chromatic Techniques
PART THREE: FORM AND ANALYSIS
Chapter 13: Melodic Form
Chapter 14: Contrapuntal Forms
Chapter 15: Small Forms
Chapter 16: Sonata Form
Chapter 17: Rondo
PART FOUR: THE 20TH CENTURY AND BEYOND
Chapter 18: Syntax and Vocabulary
Chapter 19: New Tonal Methods
Chapter 20: Non-Serial Atonality
Chapter 21: Serial Atonality
Appendix A: Scales and Intervals
Appendix B: Rhythm
Appendix C: Basic Harmonic Structures
Appendix D: Part-Writing Guidelines
Verlagsort | London |
---|---|
Sprache | englisch |
Maße | 210 x 280 mm |
Gewicht | 1338 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 1-138-09875-2 / 1138098752 |
ISBN-13 | 978-1-138-09875-6 / 9781138098756 |
Zustand | Neuware |
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