Decadence
A Very Short Introduction
Seiten
2018
Oxford University Press Inc (Verlag)
978-0-19-061022-7 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-061022-7 (ISBN)
Decadence: A Very Short Introduction provides an elegant overview of the culture of decadence - defined as the artistic expression of a conflicted sense of modernity - by tracing its origin in ancient Rome, development in nineteenth-century Paris and London, manifestation in early twentieth-century Vienna and Berlin, and present resonance in contemporary life.
The historical trajectory of decadent culture runs from ancient Rome, to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The first of these, the decline of Rome, provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that imperial decline, whether real or imagined, involves. This delight in decline informs the so-called breviary, or even bible, of decadence from Joris-Karl Huysmans's À Rebours, Oscar Wilde's The Picture of Dorian Gray, Aubrey Beardsley's drawings, Gustav Klimt's paintings, and numerous other works.
In this Very Short Introduction, David Weir explores these conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence -- the excess of artifice -- and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The historical trajectory of decadent culture runs from ancient Rome, to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The first of these, the decline of Rome, provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that imperial decline, whether real or imagined, involves. This delight in decline informs the so-called breviary, or even bible, of decadence from Joris-Karl Huysmans's À Rebours, Oscar Wilde's The Picture of Dorian Gray, Aubrey Beardsley's drawings, Gustav Klimt's paintings, and numerous other works.
In this Very Short Introduction, David Weir explores these conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence -- the excess of artifice -- and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
David Weir is Professor Emeritus of Comparative Literature at Cooper Union, where he taught literature, linguistics, and cinema for 30 years. He has published books on Jean Vigo, James Joyce, William Blake, orientalism, anarchism, and decadence.
List of Illustrations
Introduction
1 Rome: Classical Decadence
2 Paris: Cultural Decadence
3 London: Social Decadence
4 Vienna and Berlin: Socio-cultural Decadence
Conclusion: Legacies of Decadence
References
Further reading
Index
Erscheinungsdatum | 26.03.2018 |
---|---|
Reihe/Serie | Very Short Introductions |
Zusatzinfo | 10 illustrations |
Verlagsort | New York |
Sprache | englisch |
Maße | 168 x 112 mm |
Gewicht | 136 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
ISBN-10 | 0-19-061022-0 / 0190610220 |
ISBN-13 | 978-0-19-061022-7 / 9780190610227 |
Zustand | Neuware |
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