The Veil of Order
Conversations with Martin Meyer
Seiten
2017
|
Main
Faber & Faber (Verlag)
978-0-571-33800-9 (ISBN)
Faber & Faber (Verlag)
978-0-571-33800-9 (ISBN)
A new edition of a music classic.
'I was not a child prodigy; indeed, I had none of the requisite qualities for making a successful career' - which has not prevented Alfred Brendel from becoming one of the greatest pianists of the twentieth century. In these dialogues with Martin Meyer he speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ('I was in Vienna, but I was never a "genuine" Viennese'); about literature, painting, architecture and kitsch. He talks about the liberties and obligations of a performer and discusses the work of musicians that have fascinated him, like Edwin Fischer, Cortot, Kempff, Furtwngler and Bruno Walter, or irritated him, like Glenn Gould. The conversations which are both serious and witty abound in amusing anecdotes and contain penetrating insights into the music of Haydn, Mozart, Beethoven, Schubert, Schumann, Liszt, Busoni and Schoenberg. Alfred Brendel emerges as a deep-thinking as well as emotional musician and a passionate sceptic - a Renaissance-like figure with an engaging sense of humour, a healthy dose of modesty and an enormous appetite for life.
'I was not a child prodigy; indeed, I had none of the requisite qualities for making a successful career' - which has not prevented Alfred Brendel from becoming one of the greatest pianists of the twentieth century. In these dialogues with Martin Meyer he speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ('I was in Vienna, but I was never a "genuine" Viennese'); about literature, painting, architecture and kitsch. He talks about the liberties and obligations of a performer and discusses the work of musicians that have fascinated him, like Edwin Fischer, Cortot, Kempff, Furtwngler and Bruno Walter, or irritated him, like Glenn Gould. The conversations which are both serious and witty abound in amusing anecdotes and contain penetrating insights into the music of Haydn, Mozart, Beethoven, Schubert, Schumann, Liszt, Busoni and Schoenberg. Alfred Brendel emerges as a deep-thinking as well as emotional musician and a passionate sceptic - a Renaissance-like figure with an engaging sense of humour, a healthy dose of modesty and an enormous appetite for life.
Alfred Brendel was born in 1931 in Wiesenberg, and now lives in London. He is universally acknowledged as one of the world's leading pianists, and although he has bidden farewell to the concert stage he continues to give master-classes and readings. He is also the author of several books, including Alfred Brendel on Music (Robson Books), The Veil of Order and A Pianist's A-Z- both published by Faber.
Erscheinungsdatum | 31.12.2016 |
---|---|
Verlagsort | London |
Sprache | englisch |
Maße | 154 x 234 mm |
Gewicht | 440 g |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Kunst / Musik / Theater ► Musik ► Instrumentenkunde | |
ISBN-10 | 0-571-33800-3 / 0571338003 |
ISBN-13 | 978-0-571-33800-9 / 9780571338009 |
Zustand | Neuware |
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