Ghost-Haunted Land
Contemporary Art and Post-Troubles Northern Ireland
Seiten
2017
Manchester University Press (Verlag)
978-1-78499-144-9 (ISBN)
Manchester University Press (Verlag)
978-1-78499-144-9 (ISBN)
This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond — including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. -- .
Since the signing of the Good Friday Agreement in 1998 — the formal end-point of the thirty-year modern ‘Troubles’ — contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land — the first book-length examination of post-Troubles contemporary art — Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath.
This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond — including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. ‘Post-Troubles’ contemporary art is discussed in the context of both local transformations and global operations — and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today’s world. -- .
Since the signing of the Good Friday Agreement in 1998 — the formal end-point of the thirty-year modern ‘Troubles’ — contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land — the first book-length examination of post-Troubles contemporary art — Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath.
This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond — including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. ‘Post-Troubles’ contemporary art is discussed in the context of both local transformations and global operations — and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today’s world. -- .
Declan Long is Lecturer in Modern and Contemporary Art, and Programme Director of the MA Art in the Contemporary World, at the National College of Art & Design, Dublin -- .
Introduction
1 Same difference: post-Troubles context and contradictions
2 New terrains: ‘Northern Irish art’ in the wider world
3 The post-Troubles art of Willie Doherty
4 That which was: histories, documents, archives
5 Phantom publics: imagining ways of 'being together'
Conclusion – or against conclusions
Index -- .
Erscheinungsdatum | 01.02.2018 |
---|---|
Zusatzinfo | 19 colour illustrations, 28 black & white illustrations |
Verlagsort | Manchester |
Sprache | englisch |
Maße | 170 x 240 mm |
Gewicht | 753 g |
Themenwelt | Kunst / Musik / Theater ► Fotokunst |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
ISBN-10 | 1-78499-144-9 / 1784991449 |
ISBN-13 | 978-1-78499-144-9 / 9781784991449 |
Zustand | Neuware |
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