From Renaissance to Baroque
Routledge (Verlag)
978-1-138-25787-0 (ISBN)
Jonathan Wainwright is Senior Lecturer in Music at the University of York, UK. Peter Holman is Reader in Music at the University of Leeds, UK.
Contents: Preface; Introduction: From 'Renaissance' to 'Baroque'?, Jonathan P. Wainwright; Baptiste's Hautbois: the metamorphosis from Shawm to Hautboy in France, 1620-70, Bruce Haynes; A commentary on the letter by Michel de La Barre concerning the history of musettes and hautboys, Marc Ecochard; The woodwind instruments of Richard Haka (1645/6-1705), Jan Bouterse; Basstals or Curtoons: the search for a transitional Fagott, Graham Lyndon-Jones; The iconographic background to the seventeenth-century recorder, Anthony Rowland-Jones; The Renaissance flute in the 17th century, Nancy Hadden; The flute at Dresden: ramifications for 18th-century woodwind performance in Germany, Mary Oleskiewicz; How did 17th-century English violins really sound?, Peter Trevelyan; The development of French lute style 1600-50, Matthew Spring; The early Air de Cour, the Theorbo, and the Continuo principle in France, Jonathan Le Cocq; From stops organical to stops of variety: the English organ from 1630 to 1730, Dominic Gwynn; Upgrading from consorts to orchestra at the Württemberg court, Samantha Owens; From violin band to orchestra, Peter Holman; Organological Gruyère, Jeremy Montagu. Workshop Reports: J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106), Andrew Parrott; The French Baroque orchestra: Lully, Charpentier, Couperin, Graham Sadler. Bibliography; Index.
Erscheinungsdatum | 15.02.2017 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Theater / Ballett | |
ISBN-10 | 1-138-25787-7 / 1138257877 |
ISBN-13 | 978-1-138-25787-0 / 9781138257870 |
Zustand | Neuware |
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