Film Production Management
Focal Press (Verlag)
978-0-240-80106-3 (ISBN)
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With its practical, hands-on approach, Film Production Management shows what it takes to get a screenplay produced in Hollywood and onto the big screen or television. Film students as well as professionals starting a new phase in their careers will find invaluable, easy-to-understand information on standards and practices in daily use in production departments.
It explains in step-by-step detail how to: *break down a screenplay *organize a shooting schedule *create a realistic budget *find and secure locations *work with agents to find actors * hire a crew and communicate effectively with unions Also included are chapters on contracts, insurance, and special tips for low-budget films, as well as sample forms and charts used regularly in production offices. Film Production Management is an invaluable resource for anyone who wants to work in a Hollywood production department, from Assistant Directors to Production Managers to Line Producers. Since 1968 Bastian Cleve has produced more than 80 full-length and short film in the U.S. and Germany and has won numerous awards for his work.
Since 1968, Bastian Clevé has produced more than eighty full-length and short films in the United States and Germany and has won numerous awards for his work. He is Professor at the Film Production Studies Department at the Filmakademie Baden-Wurttemberg near Stuttgart, and lectures on filmmaking throughout North America, Europe, southern Asia, and Australia. He is getting back into the business of producing theatrical motion pictures and his recent motion picture "As far as my feet will carry me" has become one of the most successful German movies worldwide.
Introduction; 1.The Production Manager; 2.The 'Business' of Film: Introduction, Pre-production, Production, Post-production, Chain of command; 3.Preparing for Production: Script breakdown, Shooting schedule, Production board; 4.Special Tips for Low-Budget-Productions: What makes a movie expensive, The screenplay, Film format, Crew, Equipment, Location, Actors; 5.On Location Preparation: Location survey, Local film commissions, Permits, Foreign shoots; 6.Unions, SAG, SEG, DGA; 7.The Debate over Union and Non-Union, Pros for unionization, Cons against unionization, Unions and the low-budget production; 8.The cast and the crew, Hiring procedures, Crew duties, Casting and agents; 9.Legal Aspects and Contracts, Immigration laws and working permits; 10.The Budget and Production Budget Forms; 11.Insurances; 12.Completion Bonds; 13.Additional Production - forms ready to use when photocopied; 14.Addresses: Unions, film commissions and general
| Erscheint lt. Verlag | 9.6.1994 |
|---|---|
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 116 x 191 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
| ISBN-10 | 0-240-80106-7 / 0240801067 |
| ISBN-13 | 978-0-240-80106-3 / 9780240801063 |
| Zustand | Neuware |
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