The Technique of Film and Video Editing

Ken Dancyger is a Professor of Film and Television at Tisch School of the Arts at New York University, as well as the author of numerous books on screenwriting, editing, and production, including Alternative Scriptwriting (with Jeff Rush) and Writing the Short Film (with Patricia Cooper), The Director’s Idea and Global Scriptwriting, all published by Routledge/Focal Press. Ken also conducts scriptwriting and editing workshops internationally.

Acknowledgments

Introduction to the Sixth Edition

Section 1: History of Film Editing

1. The Silent Period

2. The Early Sound Film

3. The Influence of the Documentary

4. The Influence of the Popular Arts

5. The Influence of Other Media

6. Editors Who Became Directors

7. Experiments in Editing I: Alfred Hitchcock

8. Experiments in Editing II

9. New Techniques

10. International Advances

11. The Influence of Television and Theatre

12. New Challenges to Filmic Narrative Conventions

13. The MTV Influence on Editing I

14. The MTV Influence on Editing II

15. Changes of Pace

16. Appropriation of Style I

17. Appropriation of Style II

18. Appropriation of Style III

Section 2: Goals of Editing

19. Editing for Narrative Clarity

20. Editing for Dramatic Emphasis

21. Editing for Subtext

22. Editing for Aesthetics

Section 3: Editing for the Genre

23. Action

24. Dialog

25. Comedy

26. Editing for Surprise

27. Documentary

28. Imaginative Documentary

29. Innovations in Documentary I

30. Innovations in Documentary II

31. Innovations in Documentary III: The Experimental Documentary

Section 4: Principles of Editing

32. The Picture Edit and Continuity

33. The Picture Edit and Pace

34. Ideas and Sound

35. The Sound Edit and Clarity

36. The Sound Edit and Creative Sound

37. Innovations of Sound

38. Nonlinear Editing and Digital Technology I

39. Nonlinear Editing and Digital Technology II

40. Conclusion

Filmography

Glossary

Index