New Perspectives on Marc-Antoine Charpentier
Routledge (Verlag)
978-1-138-24968-4 (ISBN)
Dr Shirley Thompson is Director of Postgraduate Studies at Birmingham Conservatoire, UK
Contents: Foreword, H. Wiley Hitchcock; Preface; Charting Charpentier's 'worlds' through his Mélanges, Patricia M. Ranum; Charpentier's void notation: the Italian background and its implications, Graham Sadler; The descending minor tetrachord in France: an emblem expanded, Lois Rosow; Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier, C. Jane Gosine; A question of genre: Charpentier's Messe pour Plusieurs Instruments au lieu des Orgues (H513), David Ponsford; Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond, Anthea Smith; Performance practices at the Théâtre de Guénégaud and the Comédie-Française: evidence from Charpentier's Melanges autographes, John S. Powell; Une source peut en cacher une autre': added preludes and instrumental cues in the Mélanges, Catherine Cessac; The historical implications of a distinctive scoring: Charpentier's 6-voice motets for Mademoiselle de Guise, Théodora Psychoyou; Observations on Charpentier's compositional process: corrections in the Mélanges, Herbert Schneider; Médée within the repertory of the tragédie en musique: intertextual links and the 'posterity' of Charpentier's opera, Benjamin Pintiaux; The nature of fame: reflections on Charpentier's Les Plaisirs de Versailles and Lalande's Les Fontaines de Versailles, Peter Roennfeldt; Charpentier's Motets melêz de Symphonie: a nephew's tribute, Shirley Thompson; Appendix; Bibliography; Indexes.
Erscheinungsdatum | 07.09.2016 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 566 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Theater / Ballett | |
ISBN-10 | 1-138-24968-8 / 1138249688 |
ISBN-13 | 978-1-138-24968-4 / 9781138249684 |
Zustand | Neuware |
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