Visual Culture and the German Middle Ages

Introduction: Visual Culture in the Middle Ages PART I: NEW VISIONS IN MEDIEVAL STUDIES Word and Image as a Research Field: Sound Methodologies or Just a Fashionable Trend?; N.H.Ott PART II: INTERMEDIALITY Writing Speech-Image: The Concurrence of Signs; J.Muller The Shield as a Poetic Screen: Early Blazon and the Visualisation of Medieval German Literature, 1150-1300; H.Wandhoff Intermediality in the Middle Ages: Representations of Writing in the Illustrated Epic; U.Ernst PART III: RETHINKING MANUSCRIPT CULTURE Images at the Interface: Orality, Literacy and the Pictoralization of the Roland Material; J.Rushing Visualizing Performance?: Of Music, Word and Manuscripts; V.Mertens PART IV: SPIRITUAL VISIONS The 'Handwritings of Humanity': Johannes Tauler on Hildegard of Bingern's Liber Scivias; J.F.Hamburger Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama; N.Largier PART V: WORD, IMAGE, AND TECHNOLOGY Logos and the Press: Christ in the Wine Press and the Development of Printing; H.Wenzel From God's Word to Emblem: Justifying the Printed Word; T.Cramer Contributor Notes