Shakespeare's Women and the Fin de Siècle - Sophie Duncan

Shakespeare's Women and the Fin de Siècle

(Autor)

Buch | Hardcover
304 Seiten
2016
Oxford University Press (Verlag)
978-0-19-879084-6 (ISBN)
139,95 inkl. MwSt
Sophie Duncan illuminates iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and careers of the actresses who played them. Duncan draws on a wealth of archival material to explore the vital ways in which fin-de-siècle Shakespeare and Victorian theatre culture conditioned each other.
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other.

Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare.

Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.

Sophie Duncan is a Postdoctoral Research Associate at Magdalen College, University of Oxford. Her principal research interests are in Early Modern and nineteenth-century drama, theatre history, cognitive approaches to literature, and cultural memory. She has published on fin-de-siècle Gothic culture, Shakespeare, and celebrity. Beyond academia, she works regularly as a historical advisor and dramaturg for theatre, radio, and television.

Introduction
1: The Lily, the Matron, and Rosalind
2: Bad women, good wives: Ellen Terry as Lady Macbeth
3: The 'femme serpent': Mrs Patrick Campbell at the Lyceum
4: A British princess: Ellen Terry as Imogen
5: 'The eternal suffragette': New Women and a new century
Epilogue
Bibliography
Index

Erscheinungsdatum
Reihe/Serie Oxford English Monographs
Verlagsort Oxford
Sprache englisch
Maße 166 x 242 mm
Gewicht 607 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-19-879084-8 / 0198790848
ISBN-13 978-0-19-879084-6 / 9780198790846
Zustand Neuware
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