Beethoven und der Wiener Kongress (1814/15)

Vorwort

Sebastian Hansen
Begleitmusik: Der Wiener Kongress als kulturelles Ereignis

William Kinderman
Beethoven and Napoleon: A Reassessment

Joanna Cobb Biermann
Who is the Hero?
Beethoven's Music for Egmont

Barry Cooper
Political and Musical Echoes of Beethoven's "Heroic Period" in his Music for Leonore Prohaska

Maria Rößner-Richarz
Beethoven und der Wiener Kongress aus der Perspektive von Beethovens Briefen und Dokumenten

Rita Steblin
Beethoven in Unpublished Viennese Court Documents from 1814

Birgit Lodes
"In der ungeheuern Weite"
Beethoven und die Ahnung des Göttlichen in Meeres Stille und Glückliche Fahrt, Missa solemnis und Neunter Symphonie

Theodore Albrecht
Two Contrabassons and More
The Personnel in Beethoven's Orchestras for Symphonie No.7, Symphonie No.8, Wellingtons Sieg, an Der glorreiche Augenblick (1813–1814)

John David Wilson
Beethoven's Popula Style
Der glorreiche Augenblick and the Art of Writing for the Galleries

David B. Levy
From the Church and Theater into the Concert Hall
Referntial Meaning in Beethoven's Use of the Trombone in his Symphonies

Tamara Balter
Turned Into Song: Beethoven's Schubertian Sonata