Guy of Saint-Denis, Tractatus de tonis
Seiten
2017
|
New edition
Medieval Institute Publications (Verlag)
978-1-58044-254-1 (ISBN)
Medieval Institute Publications (Verlag)
978-1-58044-254-1 (ISBN)
The Tractatus de tonis of Guy of Saint-Denis
offers original reflection on the nature and emotional power of the tones into which
plainchant is classified.
The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10)
differs from other treatises on plainchant in the depth of its analysis of the
various tones into which chant was traditionally classified. The treatise of
Guy of Saint-Denis is preserved as the concluding item in an anthology of texts
about plainchant that Guy compiled (now London, British Library, MS Harley
281), beginning with some writings of Guido of Arezzo and a Cistercian tonary,
but also including the Ars musice of
Johannes de Grocheio and the Tractatus de
tonis of Petrus de Cruce. Guy's treatise presents itself as a synthetic
overview of both the theory and practice of plainchant in a way that combines
the very practical reflection of Guido of Arezzo with ideas of more Aristoteleian
inspired theorists such as Johannes de Grocheio and Peter of Auvergne.
offers original reflection on the nature and emotional power of the tones into which
plainchant is classified.
The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10)
differs from other treatises on plainchant in the depth of its analysis of the
various tones into which chant was traditionally classified. The treatise of
Guy of Saint-Denis is preserved as the concluding item in an anthology of texts
about plainchant that Guy compiled (now London, British Library, MS Harley
281), beginning with some writings of Guido of Arezzo and a Cistercian tonary,
but also including the Ars musice of
Johannes de Grocheio and the Tractatus de
tonis of Petrus de Cruce. Guy's treatise presents itself as a synthetic
overview of both the theory and practice of plainchant in a way that combines
the very practical reflection of Guido of Arezzo with ideas of more Aristoteleian
inspired theorists such as Johannes de Grocheio and Peter of Auvergne.
Constant J. Mews is Director of the Centre for Religious Studies, Monash University in Victoria, Australia. Carol J. Williams is a Senior Lecturer at Monash University, specializing in medieval music. John N. Crossley is a Professor Emeritus at Monash University. Catherine Jeffreys is an Adjunct Research Associate at Monash University.
Acknowledgments
Abbreviations
Introduction
Outline of the Tractatus de tonis
Tractatus de tonis: Text and Translation
Appendices
I. Deleted material
II. Explanatory material
Works Cited
Manuscript sources
Primary sources
Secondary sources
Lexicon
Glossary
Onomastic Index
| Erscheinungsdatum | 20.11.2016 |
|---|---|
| Reihe/Serie | TEAMS Varia |
| Übersetzer | Constant J. Mews, Carol J. Williams, John N. Crossley, Catherine Jeffreys |
| Zusatzinfo | 506 Printed music items; 1 Tables, black and white; 1 Illustrations, black and white |
| Sprache | englisch; lateinisch |
| Maße | 156 x 234 mm |
| Gewicht | 539 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-58044-254-4 / 1580442544 |
| ISBN-13 | 978-1-58044-254-1 / 9781580442541 |
| Zustand | Neuware |
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