Critica Musica
Routledge (Verlag)
978-1-138-99049-4 (ISBN)
J. Knowles
Principal Publications of Paul Brainard; Some Considerations of the Sources of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's Rhetorique Muette and the Ballet d'Action in the Eighteenth Century; Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric, Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich? Bach's tempo ordinaria: A Plaine and Easie Introduction to the System; Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual Songs of the Late Middle Ages; The Violins in Bach's St. John Passion; French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare; Tenors Lost and Found: The Reconstruction of Motets in Two Medieval Chansonniers
Erscheinungsdatum | 03.03.2016 |
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Reihe/Serie | Musicology |
Verlagsort | London |
Sprache | englisch |
Maße | 178 x 254 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
ISBN-10 | 1-138-99049-3 / 1138990493 |
ISBN-13 | 978-1-138-99049-4 / 9781138990494 |
Zustand | Neuware |
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