Classic Jazz - Floyd Levin

Classic Jazz

A Personal View of the Music and the Musicians

(Autor)

Buch | Softcover
358 Seiten
2002
University of California Press (Verlag)
978-0-520-23463-5 (ISBN)
37,40 inkl. MwSt
This collection of articles, written by the jazz writer Floyd Levin, takes the reader into the nightclubs, the recording studios and the lives of the musicians who made the great moments of the traditional jazz and swing eras.
Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a gold mine of information on a rich segment of American popular music. This collection of articles begins with Levin's first published piece and includes several new articles that were inspired by his work on this compilation. The articles are organized thematically, beginning with a piece on Kid Ory's early recordings and ending with a newly written article about the campaign to put up a monument to Louis Armstrong in New Orleans.
Along the way, Levin gives in-depth profiles of many well-known jazz legends, such as Jelly Roll Morton, Duke Ellington, and Louis Armstrong, and many lesser-known figures who contributed greatly to the development of jazz. Extensively illustrated with previously unpublished photographs from Levin's personal collection, this wonderfully readable and extremely personal book is full of information that is not available elsewhere. Classic Jazz: A Personal View of the Music and the Musicians will be celebrated by jazz scholars and fans everywhere for the overview it provides of the music's evolution, and for the love of jazz it inspires on every page.

Floyd Levin has been published in many magazines, including Down Beat, Jazz Journal International,and American Rag. He has received several awards for his work, most recently the Leonard Feather Communicator Award given annually by the Los Angeles Jazz Society. He was voted Number One Jazz Journalist in a recent readers' poll in the Mississippi Rag.

FOREWORD BY BENNY CARTER 
PREFACE 
ACKNOWLEDGMENTS 
INTRODUCTION 

1 KID ORY AND THE REVIVAL ERA 
Kid Ory 
Kid Ory’s Legendary 
Nordskog/Sunshine Recordings
Papa Mutt Carey 
Buster Wilson 
Andrew Blakeney 
Ram Hall 
Dink Johnson 
Bud Scott 
Joe Darensbourg 
Ed “Montudie” Garland 
Teddy Buckner 

2 A PERSONAL VIEW OF THE MUSIC 
Lieutenant Jim Europe’s Hellfighters—The 369th Infantry Jazz Band 
“I Wish I Could Shimmy Like My Sister Kate”
The First Recorded Hit of the Jazz Age 
The World Premiere of “Rhapsody in Blue” 
“Relaxin’ at the Touro”—Memories of Muggsy Spanier 
Spud Murphy 
A Memorable Jack Teagarden Record Date 
The Duke Ellington Sacred Music Concert—New Orleans, 1970
Dick Hyman’s Historic Direct-to-CD Recording Session

3 A PERSONAL VIEW OF THE MUSICIANS 
Benny Carter 
James P. Johnson 
Brun Campbell and Scott Joplin 
Rex Stewart’s Memories of Jelly Roll Morton
Anita Gonzales and the Untold Story of Jelly Roll Morton’s Last Years
Johnny Guarnieri 
I’m Just Wild about Eubie—Memories of Eubie Blake 
Jess Stacy 
Milt Hinton 
Spiegle Willcox 
Eddie Miller 
Morty Corb 
Barney Bigard 
Wild Bill Davison 
Rosy McHargue 
Artie Shaw
Andy Razaf 
viii Contents
Coot Grant and Sox Wilson 
The World’s Greatest Jazz Band 

4 THE INFLUENCE OF NEW ORLEANS
MUSICIANS ON CLASSIC JAZZ 
The Jazz Journey—From Lulu White’s Mahogany Hall to Carnegie Hall 
Papa Celestin and the Voodoo Queen 
Danny Barker—The Jazz Troubadour 
Lorenzo Tio, Jr., and the Clarinetists of the Crescent City 
Willie James Humphrey, Jr. 
George Lewis 
Alton Purnell 
Bill Russell 

5 THE GREAT LOUIS ARMSTRONG 
Louis Armstrong’s Underrated Recordings during the Big-Band Era 
“Ambassador Satch” on the World Stage 
A Sentimental Journey—Louis’ Funeral 

6 JAZZ ON THE WEST COAST 
Los Angeles in the Swing Era 
The Palomar Ballroom Fire 
The Firehouse Five and the Good Time Jazz Record Company 
The Yerba Buena Jazz Band and the Jazz Man Label 
Benny Strickler 
Turk Murphy’s Final Triumph 
I Remember Bob Scobey 
Dave Dexter, Jr. 
The Poor Angel Hot Jazz Society 
Dick Cary’s Tuesday Night Band 

7 UNSUNG HEROES 
Pete Daily 
Stew Pletcher 
Sammy Lee 
Pud Brown 
Bob McCracken 
Pat Gogerty 
Rick Fay 

8 THE SEVEN-YEAR CHALLENGE TO COMPLETE THE LOUIS ARMSTRONG STATUE 
A Fund Is Created in Old New Orleans 
“For the Love of Louis,” by Ned Brundage 
Bing Crosby to the Rescue 
July 4, 1976 
EPILOGUE 
INDEX 

Erscheint lt. Verlag 30.4.2002
Vorwort Benny Carter
Zusatzinfo 58 illustrations
Verlagsort Berkerley
Sprache englisch
Maße 152 x 229 mm
Gewicht 590 g
Themenwelt Literatur Biografien / Erfahrungsberichte
Literatur Essays / Feuilleton
Kunst / Musik / Theater Musik Jazz / Blues
ISBN-10 0-520-23463-4 / 0520234634
ISBN-13 978-0-520-23463-5 / 9780520234635
Zustand Neuware
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