The Singing Turk

Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon

Larry Wolff (Autor)

Buch | Hardcover

504 Seiten

2016
Stanford University Press (Verlag)
978-0-8047-9577-7 (ISBN)

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While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations.

After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.

Larry Wolff is Professor of History and Director of the Center for European and Mediterranean Studies at New York University. He is the author of Paolina's Innocence: Child Abuse in Casanova's Venice, The Idea of Galicia: History and Fantasy in Habsburg Political Culture, Venice and the Slavs: The Discovery of Dalmatia in the Age of Enlightenment, and Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment—all published by Stanford University Press. Visit Larry Wolff's website at www.singingturk.com

Introduction

1. The Captive Sultan: Operatic Transfigurations of the Ottoman

Menace after the Siege of Vienna

2. The Generous Turk: Captive Christians and Operatic Comedy in Paris

3. The Triumphant Sultana: Suleiman and His Operatic Harem

4. The Turkish Subjects of Gluck and Haydn: Comic Opera in War And Peace

5. Osmin in Vienna: Mozart's Abduction and the Centennial of the Ottoman Siege

6. "To Honor the Emperor": Pasha Selim and Emperor Joseph Ii in the Age of Enlightened Absolutism

7. The Ottoman Adventures of Rossini and Napoleon: Kaimacacchi and Missipipi at La Scala

8. Pappataci and Kaimakan: Reflections in a Mediterranean Mirror

9. An Ottoman Prince in the Romantic Imagination: The Libertine Adventures of Rossini's Turkish Traveler

10. Maometto in Naples and Venice: The Operatic Charisma of the Conqueror

11. Rossini's Siege of Paris: Ottoman Subjects in the French Restoration

12. The Decline and Disappearance of the Singing Turk: Ottoman Reform, the Eastern Question, and the European Operatic Repertory

Conclusion

Erscheinungsdatum	02.09.2016
Verlagsort	Palo Alto
Sprache	englisch
Maße	152 x 229 mm
Themenwelt	Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical
	Kunst / Musik / Theater ► Theater / Ballett
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
ISBN-10	0-8047-9577-0 / 0804795770
ISBN-13	978-0-8047-9577-7 / 9780804795777
Zustand	Neuware