Terror and Pity - Kirill Ospovat

Terror and Pity

Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia

(Autor)

Buch | Hardcover
336 Seiten
2016
Academic Studies Press (Verlag)
978-1-61811-472-3 (ISBN)
97,25 inkl. MwSt
Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity offers an in-depth reading of early Russian tragedy as a political genre. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and “new historicism”.
Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia offers an in-depth reading of early Russian tragedy as a political genre.

Imported to Russia by Aleksandr Sumarokov around 1750, tragedy reenacted and shaped the symbolic economy and the often disturbing historical experience of “absolutist” autocracy. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and “new historicism” in order to contribute to a broader discussion of early modern “poetics of culture.”

Kirill Ospovatreceived his PhD from the Russian State University for the Humanities (RGGU, Moscow, Russia) in 2005. He has held various postdoctoral appointments in Russia, Germany, the UK, and the US, most recently in the ERC-funded research group "Early modern drama and the cultural net" at the Freie Universitat Berlin.

Acknowledgments

Introduction



PART I

POLITICAL THEATER AND THE ORIGINS OF RUSSIAN TRAGIC DRAMA

Theater at Court

Sumarokov and the réformation du theater

Political Theater and the Poetics of Autocracy

“Scenarios of Power”: The Politics of Tragic Plots

Dramatic Experience: Tragedy and the Emotional Economy of the Court



PART II

KHOREV, OR THE TRAGEDY OF ORIGIN

Poetry, History, Allegory

Khorev and the Scenario of Marriage

Pastoral Politics and Tragedy

The Tragedy of Suspicion



PART III

POETIC JUSTICE: COUP D’ÉTAT, POLITICAL THEOLOGY, AND THE POLITICS OF SPECTACLE IN THE RUSSIAN HAMLET

Tragedy and Political Theology

The Drama of Coup d’état

Anatomy of Melancholy, or Gamlet the Hero

Investigations of Malice

The Catharsis of Pardon



EPILOGUE

THE THEATER OF WAR AND PEACE: THE “MIRACLE OF THE HOUSE OF BRANDENBURG” AND THE POETICS OF EUROPEAN ABSOLUTISM

Tragedy and Political Theology on the Battlefield

Frederick, or the Performance of Defeat

Peter, or the Tragedy of Triumph

Conclusion: Tragedy, History, and Theory



Bibliography

Erscheinungsdatum
Reihe/Serie Imperial Encounters in Russian History
Zusatzinfo Illustrations, unspecified
Verlagsort Brighton
Sprache englisch
Maße 155 x 234 mm
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Geisteswissenschaften Sprach- / Literaturwissenschaft Slavistik
Sozialwissenschaften Politik / Verwaltung Politische Theorie
ISBN-10 1-61811-472-7 / 1618114727
ISBN-13 978-1-61811-472-3 / 9781618114723
Zustand Neuware
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