Mad Men Carousel
ABRAMS (Verlag)
978-1-4197-2063-5 (ISBN)
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Mad Men Carousel is named after an iconic moment from the show’s first-season finale, “The Wheel,” wherein Don delivers an unforgettable pitch for a new slide projector that’s centred on the idea of nostalgia: “the pain from an old wound.” This book will soothe the most ardent Mad Men fan’s nostalgia for the show. New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discover a spoiler-friendly companion to one of the most multilayered and mercurial TV shows of all time.
It's the perfect gift for Mad Men fans and obsessives.
Matt Zoller Seitz is the TV critic for New York Magazine, the editor-in-chief of RogerEbert.com, a finalist for the Pulitzer Prize in criticism, and the author of the New York Times bestsellers The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015), as well as the forthcoming The Oliver Stone Experience (Abrams, 2016). He is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced more than a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into The Wes Anderson Collection, and his 2008 video essay series “Oliver Stone: The Official History” is the partial basis for The Oliver Stone Experience. Megan Abbott is the Edgar®-winning author of the novels Queenpin, The Song Is You, Die a Little, Bury Me Deep, The End of Everything, Dare Me, and her latest, The Fever, which was chosen as one of the Best Books of the Summer by the New York Times, People magazine, and Entertainment Weekly and one of the Best Books of the Year by Amazon, National Public Radio, the Boston Globe, and the Los Angeles Times. Her writing has appeared in the New York Times, Salon, the Guardian, the Wall Street Journal, the Los Angeles Times Magazine, the Believer, and the Los Angeles Review of Books. Abbott is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three Edgar® Awards, the Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize, and the Folio Prize. She lives in New York City.
Erscheint lt. Verlag | 10.11.2015 |
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Illustrationen | Max Dalton |
Vorwort | Megan Abbott |
Verlagsort | New York |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 890 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
ISBN-10 | 1-4197-2063-5 / 1419720635 |
ISBN-13 | 978-1-4197-2063-5 / 9781419720635 |
Zustand | Neuware |
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