Representing the Black Female Subject in Western Art
Routledge (Verlag)
978-1-138-86461-0 (ISBN)
Charmaine A. Nelson is Associate Professor of Art History at McGill University.
Introduction Part I: From Girls to Women: Locating Black Female Subjects in Western Art 1. Through An-Other’s Eyes: White Canadian Artists – Black Female Subjects 2. Racing Childhood: Representations of Black Girls in Canadian Art Part II: Slavery and Portraiture: Agency, Resistance and Art as Colonial Discourse 3. Slavery, Portraiture and the Colonial Limits of Canadian Art History 4. The Fruits of Resistance: Reading Portrait of a Negro Slave on the Sly 5. Tying the Knot: Black Female Slave Dress in Canada Part III: The Nude and the Naked: Black Women, White Ideals and the Racialization of Sexuality 6. Coloured Nude: Fetishization, Disguise, Dichotomy 7. The "Hottentot Venus" in Canada: Modernism, Censorship and the Racial Limits of Female Sexuality Part IV: From White Marble to Coloured Stone: Aesthetics, Materiality and Degrees of Blackness 8. White Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture 9. Vénus Africaine: Race, Beauty and African-ness 10. Allegory, Race and the Four Continents: Jean-Baptiste Carpeaux’s Les quatre parties du monde soutenant la sphere céleste. Conclusion: Whiteness as Collective Narcissism, Towards a New Vision
Reihe/Serie | Routledge Studies on African and Black Diaspora |
---|---|
Zusatzinfo | 20 Halftones, black and white; 20 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 362 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-138-86461-7 / 1138864617 |
ISBN-13 | 978-1-138-86461-0 / 9781138864610 |
Zustand | Neuware |
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