Participation in Art and Architecture
I.B. Tauris (Verlag)
978-1-78453-030-3 (ISBN)
Does ‘participatory’ art and architecture shape social reality, or is it shaped by it?
Shifting the ground of this debate, which tends to assume one or other direction of influence, this innovative book explores the inherently dialectic relationship between society and the built environment. At the same time, it strives for a historically conscious discussion of a very contemporary issue. Chapters rethink the top-down model of participation and audience activation of high modernism, from Alexander Dorner’s immersive museum to Mies van der Rohe’s ‘room(s) for play’; investigate participation in spaces under political pressure, from exhibitions in bombed-out buildings in besieged Sarajevo (1992-5) to the art and organizing of revolution in Egypt (2012-13); draw historical parallels between modes of participation and the exercise of power that are seldom compared with one another, from sites of occupation in 1968 Mexico and 2011 Spain; finally creating links between cartography and feminism and between tourism and internet surveillance.
With these juxtapositions of the aesthetic and the everyday, and the built and the mediated, new questions arise: is space formed once and for all, or is it the changeable product of changeable patterns of use? Does the aesthetic always correspond to the political, or might an aesthetically authoritarian space be conducive to social justice? In exploring these questions, this book looks at how participants themselves exert power, rather than being victimised or liberated from it.
Martino Stierli is The Philip Johnson Chief Curator of Architecture and Design at The Museum of Modern Art (MoMA), New York. He is the author of Las Vegas in the Rearview Mirror (2013), and Montage and the Metropolis (2018). Mechtild Widrich is Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. Widrich is the author of Performative Monuments (2014) and The Sites of History (2022).
List of Illustrations
Acknowledgements
Whose Participation? Introductory Remarks - Martino Stierli and Mechtild Widrich
Part I: Agency
1. The Infrastructure of Participation: Cultural Centres in Postwar Europe - Kenny Cupers
2. Occupied Sites: Tlatelolco and Metropol Parasol - Ana María León
3. Aesthetics and Politics of Participation in 1960s Brazil: From Hélio Oiticica’s ‘Parangolés’ to the Paulista School of Architecture - Martino Stierli
4. Putting on the Map: Suzanne Lacy’s International Dinner Party - Elke Krasny
5. Exhibitions in Damaged and Destroyed Architectural Objects in Besieged Sarajevo: Spaces of Gathering and Socialization - Asja Mandic
6. City of Revolution: On the Politics of Participation and Municipal Management in Cairo - Mohamed Elshahed
7. Disobedient Objects - Gavin Grindon
Part II: Display
8. Between Theatre and Agora: Thoughts on Exhibition, Drama and Participation - Werner Hanak-Lettner
9. 1912 – Hellerau as Spielraum - Lutz Robbers
10. Participatory Aesthetics: Alexander Dorner’s Reorganization of the Provinzialmuseum Hannover (1923–1926) - Sandra Löschke
11. ‘The Ultimate Erotic Act’: On the Performative in Architecture - Mechtild Widrich
12. Echo-Logy: Working with Allan Kaprow - Philip Ursprung
13. Documentary (Non-)Interventions: Mediated Presence in Public Space and its Artistic Reflection - Katja Kwastek
Author Biographies
Index
| Erscheint lt. Verlag | 16.10.2015 |
|---|---|
| Zusatzinfo | 72 bw illus |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 566 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Technik ► Architektur | |
| ISBN-10 | 1-78453-030-1 / 1784530301 |
| ISBN-13 | 978-1-78453-030-3 / 9781784530303 |
| Zustand | Neuware |
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