Art as the Absolute
Bloomsbury Academic USA (Verlag)
978-1-5013-0801-7 (ISBN)
The idea of art’s inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and “post-cursors” of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.
Paul Gordon is Professor of Comparative Literature and Humanities at the University of Colorado, Boulder, USA. He is the author of The Critical Double: Figurative Meaning in Aesthetic Discourse (1995), Tragedy After Nietzsche: Rapturous Superabundance (2001), and Dial ‘M’ for Mother: A Freudian Hitchcock (2008).
Preface Art as the Absolute: Kant, Fichte, Schelling, Hegel and Schopenhauer
Introduction The Symposium on Art and the Absolute
1 Kant I: The Critique of Judgment
2 Kant II: The Critique of Teleological Judgment
3 Fichte: On the Spirit and the Letter in Philosophy
4 Schelling I: The System of Transcendental Idealism
5 Schelling II: The Philosophy of Art
6 Hegel: The Encycopedia and Lectures on Aesthetics
7 Schopenhauer: The World as Will and Representation
Appendix Nietzsche’s Wrath: Nietzsche’s Critique of the Kantian Absolute
Bibliography
Index
Verlagsort | New York |
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Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Geisteswissenschaften ► Philosophie ► Geschichte der Philosophie | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-5013-0801-7 / 1501308017 |
ISBN-13 | 978-1-5013-0801-7 / 9781501308017 |
Zustand | Neuware |
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