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A Companion to Contemporary Documentary Film
John Wiley & Sons Inc (Hersteller)
978-1-118-88455-3 (ISBN)
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Alexandra Juhasz is Professor of Media Studies at Pitzer College. She is the author of AIDS TV (1995), Women of Vision (2001), F is for Phony: Fake Documentary and Truth s Undoing, co-edited with Jesse Lerner (2005), and Learning from YouTube (2011). Dr. Juhasz is also the producer of the fake documentary feature films The Watermelon Woman (1997) and The Owls (2010), as well as many real documentaries. Alisa Lebow is a Reader in Film Studies at the University of Sussex. Her publications include First Person Jewish (2008) and The Cinema of Me (2012) and numerous articles on aspects of documentary ranging from art and documentary to questions of the political in documentary. Lebow has also made several documentaries including Outlaw (1994), Treyf (1998), and For the Record: The World Tribunal on Iraq (2006).
Notes on Contributors Introduction: Alexandra Juhasz and Alisa Lebow Part I: PLANET Introduction: Theme Editor: Juan Francisco Salazar (University of Western Sydney) Chapter 1: Imre Szeman (University of Alberta) Crude Aesthetics: The Politics of Oil Documentaries Chapter 2: Juan Francisco Salazar Anticipatory modes of futuring planetary change in documentary film Chapter 3: Janet Walker (UC, Santa Barbara) Moving to Higher Ground? Documentary Film and Other Geolocative Technologies for Projecting Sea Level Rise Part II: MIGRATION Introduction: Theme Editor: Aniko Imre (University of Southern California) Chapter 4: Ursula Biemann (Institute for Theory of Art and Design, HGK, Zurich) Videogeographies Chapter 5: Leshu Torchin (University of St. Andrews) Rates of Exchange: Human Trafficking and the Global Marketplace Chapter 6: Mieke Bal (University of Amsterdam) Documenting What? Auto-Theory and Migratory Aesthetics Part III: WORK Introduction: Theme Editor: Silke Panse (University for the Creative Arts) Chapter 7: Silke Panse (University for the Creative Arts) The Work of the Documentary Protagonist: The Material Labor of Aesthetics Chapter 8: Ewa Hanna Mazierska (University of Central Lancashire) Old School Capitalism in Post-Socialism: The Struggles of ?elimir ?ilnik s Workers Chapter 9: Ana Ward (Swarthmore College) Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film Part IV: SEX Introduction: Theme Editor: Laura Kang (UC, Irvine) Chapter 10: Patricia White (Swarthmore College) Documentary Practice and Transnational Feminist Theory: The Visibility of FGC Chapter 11: Rosa-Linda Fregoso (UC Santa Cruz) Transforming Terror: Documentary Poetics in Lourdes Portillo s Senorita Extraviada (2001) Chapter 12: Eve Oishi (Claremont Graduate University) Reading Realness: Paris is Burning, Wildness, and Queer and Transgender Documentary Practice Part V: VIRUS Introduction: Theme Editor: Bishnupriya Ghosh (UC, Santa Barbara) Chapter 13: Kirsten Ostherr (Rice University) Animating Medical Informatics Chapter 14: Rebecca Hodes (University of Cape Town) HIV on documentary television in post-apartheid South Africa Chapter 15: Alexandra Juhasz (Pitzer College) Digital AIDS Documentary: Webs, Rooms, Viruses and Quilts Part VI: RELIGION Introduction: Theme Editor: Alisa Lebow (University of Sussex) and Alexandra Juhasz (Pitzer College) Chapter 16: Angelica Fenner (University of Toronto) Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject Chapter 17: Raya Morag (Hebrew University) The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism during the Second Intifada Chapter 18: Dean Wilson (Independent Scholar) Tran Van's Thuy s Story of Kindness: Spirituality and Political Discourse Part VII: WAR Introduction: Theme Editor: Jeffrey Skoller (UC, Berkeley) Chapter 19: Jane M Gaines (Columbia University) Second Thoughts on The Production of Outrage: The Iraq War and the Radical Documentary Tradition Chapter 20: Nora M. Alter (Temple University) One, Two, Three Montages .Harun Farocki s War Documentaries Chapter 21: Alisa Lebow (University of Sussex) The Unwar Film Part VIII: TORTURE Introduction: Theme Editor: Alisa Lebow (University of Sussex) Chapter 22: Susana de Sousa Dias (Filmmaker, Lisbon) (In)visible Evidence: The Representability of Torture Chapter 23: Deirdre Boyle (New School for Social Research) Interrogating Masters of the Cambodian Genocide Chapter 24: Macarena Gomez-Barris (USC) " The Female Perpetrator: La Flaca Alejandra and Operation Atropos Chapter 25: Anjali Nath (USC) Towards the Dark Side: Seeing Detainee Bodies in Documentary Film Part IX: SURVEILLANCE Introduction: Theme Editor: Elizabeth Cowie (University of Kent) Chapter 26: Sharon Lin Tay (Middlesex University) Architectures of Control and Points of Resistance: Surveillance Culture and Digital Chapter 27: Elizabeth Cowie (University of Kent) The World Viewed: Documentary Observing and the Culture of Surveillance Chapter 28: Brian Winston (University of Lincoln) Surveillance in the Service of Narrative Chapter 29: Patrik Sjoberg (Karlstad University) Face Blind: Documentary Media and Subversion of Surveillance
Erscheint lt. Verlag | 6.4.2016 |
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Verlagsort | New York |
Sprache | englisch |
Maße | 150 x 250 mm |
Gewicht | 666 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-118-88455-8 / 1118884558 |
ISBN-13 | 978-1-118-88455-3 / 9781118884553 |
Zustand | Neuware |
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