The Visual Story

Bruce Block has worked in a creative capacity on dozens of feature films, television shows, commercials, and animated productions. His feature film producing credits include Something’s Gotta Give, What Women Want, America’s Sweethearts, The Parent Trap, and Father of the Bride I and II. He served as a creative consultant on Spanglish, As Good As It Gets, Stuart Little, and many other film and television productions. He is a tenured professor at the University of Southern California’s School of Cinematic Arts and holds the Sergei Eisenstein Endowed Chair in Cinematic Design. Mr. Block gives seminars at a variety of studios including Blue Sky Studios, Cartoon Network, Disney Feature and Television Animation, Dreamworks Animation, Industrial Light & Magic, Laika, LucasFilm, Nickelodeon Animation Studios, Pixar Animation Studios, and a wide range of European and American film schools including AFI and Cal Arts. Mr. Block also conducts seminars for digital game designers and companies including Activision-Blizzard, Blur Studio, Google, Hulu, and Tencent. He is a member of the Director’s Guild of America, the Art Director’s Guild, and co-author of the book 3D Storytelling (Focal Press). www.bruceblock.com

ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE - THE BASIC VISUAL COMPONENTS; CHAPTER TWO - CONTRAST & AFFINITY; CHAPTER THREE - SPACE: Part One, SPACE: Part Two; CHAPTER FOUR - LINE & SHAPE; CHAPTER FIVE - TONE ; CHAPTER SIX - COLOR; CHAPTER SEVEN - MOVEMENT; CHAPTER EIGHT - RHYTHM; CHAPTER NINE - STORY & VISUAL STRUCTURES; CHAPTER TEN - PRACTICE, NOT THEORY; APPENDIX; BIBLIOGRAPHY; ILLUSTRATION CREDITS; INDEX