Tap Dancing America - Constance Valis Hill

Tap Dancing America

A Cultural History
Buch | Softcover
464 Seiten
2015
Oxford University Press Inc (Verlag)
978-0-19-022538-4 (ISBN)
53,60 inkl. MwSt
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover.

In Tap Dancing America, Constance Valis Hill, herself an accomplished jazz tap dancer, choreographer, and performance scholar, begins with a dramatic account of a buck dance challenge between Bill "Bojangles" Robinson and Harry Swinton at Brooklyn's Bijou Theatre, on March 30, 1900, and proceeds decade by decade through the 20th century to the present day. She vividly describes tap's musical styles and steps -- from buck-and-wing and ragtime stepping at the turn of the century; jazz tapping to the rhythms of hot jazz, swing, and bebop in the '20s, '30s and '40s; to hip-hop-inflected hitting and hoofing in heels (high and low) from the 1990s right up to today. Tap was long considered "a man's game," and Hill's is the first history to highlight such outstanding female dancers as Ada Overton Walker, Kitty O'Neill, and Alice Whitman, at the turn of the 20th century, as well as the pioneering women composers of the tap renaissance, in the 70s and 80s, and the hard-hitting rhythm-tapping women of the millennium such as Chloe Arnold, Ayodele Casel, Michelle Dorrance, and Dormeshia Sumbry Edwards.

Written with uncanny foresight, the book features dancers who have become international touring artists and have performed on Broadway, won Emmy and Tony Awards, and received the prestigious Dance Magazine, Adele and Fred Astaire, and Jacob's Pillow Dance awards. Presented with all the verve and grace of tap itself and drawing on eyewitness accounts of early performances as well as interviews with today's greatest tappers, Tap Dancing America fills a major gap in American dance history and places tap firmly center stage.

Dance historian and choreographer; Five College Professor of Dance (Hampshire College). Author of Tap Dancing America: A Cultural History (OUP, 2010) and Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers (Cooper Square Press, 2002), winner of a 2001 ASCAP Deems-Taylor award.

Foreword by Dianne Walker ; Preface ; Chapter 1: Trickster Gods and Rapparees (1650-1900) ; Chapter 2: Buck-and-Wing (Turn of the Century) ; Chapter 3: Over-the-Top and In-the-Trenches (Teens) ; Chapter 4: Simply Full of Jazz (Twenties) ; Chapter 5: Swing Time (Thirties) ; Chapter 6: Jumpin' Jive (Forties) ; Chapter 7: Beat, Bebop, Birth of the Cool (Fifties) ; Chapter 8: Tap Happenings (Sixties) ; Chapter 9: Nostalgia, and All That Tap (Seventies) ; Chapter 10: Black and Blue (Eighties) ; Chapter 11: Noise and Funk (Nineties) ; Chapter 12: Hoofing in Heels (Millennium) ; Notes ; Glossary ; Bibliography ; Index

Erscheint lt. Verlag 12.2.2015
Zusatzinfo 94 b/w halftones
Verlagsort New York
Sprache englisch
Maße 272 x 157 mm
Gewicht 816 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Sachbuch/Ratgeber Sport Tanzen / Tanzsport
ISBN-10 0-19-022538-6 / 0190225386
ISBN-13 978-0-19-022538-4 / 9780190225384
Zustand Neuware
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