The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 2 Volume Set -

The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 2 Volume Set

Media-Kombination
1174 Seiten
2015
Cambridge University Press
978-1-107-09291-4 (ISBN)
289,95 inkl. MwSt
The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making conserved anywhere, containing correspondence from musicians such as Mendelssohn, Liszt and Fauré, published here for the first time.
Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard's inventions - especially the double escapement for the piano and the double-action for the harp - have had an enormous impact on instruments and musical life and are still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive's records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard's career in 1785 to the closure of the firm in 1959.

Robert Adelson is an organologist and musicologist, and Curator of France's second largest collection of historical musical instruments, housed in the Musée du Palais Lascaris in Nice. He is the author of Women Writing Opera: Creativity and Controversy in the Age of the French Revolution (2001), and a critical edition of the opera Le Mariage d'Antonio by Lucile Grétry (2008). Alain Roudier is a pianist and organologist. Founder and Artistic Director of the Association Ad Libitum/Centre International du Pianoforte in Etobon, France, his books include Sébastien Erard: l'aventure du pianoforte (1995), Sébastien Erard ou la rencontre avec le pianoforte (1993) and Histoires de pianos (1990). Jenny Nex is an organologist and musician, and Curator of the Musical Instrument Museums in Edinburgh. Laure Barthel is a historian of the harp. She is the author of Au coeur de la harpe au XVIIIe siècle (2005). Michel Foussard, musicologist and organologist, recently retired as expert for instrumental cultural heritage, Ministère de la Culture (1999–2008). Prior to that he served as Directeur de l'Association Culturelle des Alpes Méridionales (Conseil Général des Alpes-Maritimes) (1987–95), and curator of the historical musical instrument collection of the city of Nice (1975–87).

Volume 1: Introduction to Volume 1; Documents 1-93; Original French texts; Volume 2: Introduction to Volume 2; Documents 94-375; Original French texts; Bibliography; Index.

Erscheint lt. Verlag 11.6.2015
Zusatzinfo 40 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 182 x 254 mm
Gewicht 2640 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 1-107-09291-4 / 1107092914
ISBN-13 978-1-107-09291-4 / 9781107092914
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Die schönsten Weihnachtslieder. 1-2 Sopran-Blockflöten, Klavier ad …

von Barbara Hintermeier

Notenblätter (2023)
Schott Music
17,50
Cellotaxi. Violoncello.

von Jan Utbult; Ulrik Lundström

Notenblätter (2022)
Musikverlag Zimmermann
20,50