Kongressbericht Coimbra, Portugal 2012

Leon J. Bly, Stuttgart, Germany: The Wind Orchestra’s Instrumentation Crossing the Bridge from Tradition to Art • Thierry Bouzard, Saint-Maur-des-Fossés / France: The First Official Score for Drum Signals in the French Army • David Gasche, Wien, Österreich: Die Entstehung der Harmoniemusik: Beispiel anhand der Partita in F von Franz Aspelmayr (1769) • Bernhard Habla, Oberschützen / Österreich: International Wind Music Associations. Targets, Objectives, and Activities • Manfred Heidler, Bonn, Deutschland: „An jeder Ecke Philharmonien“. Anmerkungen zu Blasmusik und Marketing • Patrick Hennessey, Honolulu / Hawaii, USA: Beyond the ‘Ukulele: Portuguese Influence on the Musical Traditions of Hawai‘i • Erik Janners, Oak Creek / Wisconsin, USA: Performance Psychology Concepts in Music • Keith Kinder, Oakville / Ontario, Canada: The Portuguese Community Band of Hamilton, Ontario • Jon Mitchell, Boston / Massachusetts, USA: Haydn Wood: From the Isle of Man to London and Beyond • Francis Pieters, Kortrijk, Belgium: Wind Band Music Honoring Napoleon Bonaparte • Rui Magno Pinto, Lisboa, Portugal: Operatic Content and Form in the Nineteenth-Century Portuguese Wind-Instrument Repertoire • Paul W. Popiel, Lawrence / Kansas, USA: Recent Wind Band Works of Composer Michael Colgrass: Bridging the Path between Tradition and Art • John Reid, Calgary / Alberta, Canada: The Life and Music of Howard Cable • Damien Sagrillo, Hellange, Luxembourg: Wind Music and Music Education. Aspects, Observations • Malik Sharif, Graz, Austria: Alternative Wind Band Music beyond Tradition and Art. A Case Study from Austria • Shawn Smith, Charlotte / North Carolina, USA: The Brazilian Gershwin: The Fusion of Folk, Popular and Classical in the Wind Music of Heitor Villa-Lobos