British Theatre Companies: 1995-2014
Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk
Seiten
2015
Methuen Drama (Verlag)
978-1-4081-7727-3 (ISBN)
Methuen Drama (Verlag)
978-1-4081-7727-3 (ISBN)
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream.
Leading academics provide case studies of six of the most important companies, including:
* Mind the Gap, by Dave Calvert (University of Huddersfield, UK)
* Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK)
* Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic)
* Punchdrunk, by Josephine Machon (Middlesex University, UK)
* Kneehigh, by Duška Radosavljevic (University of Kent, UK)
* Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Leading academics provide case studies of six of the most important companies, including:
* Mind the Gap, by Dave Calvert (University of Huddersfield, UK)
* Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK)
* Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic)
* Punchdrunk, by Josephine Machon (Middlesex University, UK)
* Kneehigh, by Duška Radosavljevic (University of Kent, UK)
* Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Liz Tomlin is senior lecturer in the Department of Drama and Theatre Arts at the University of Birmingham, UK.
1. Historical and Cultural Background
2. British Theatre Companies of the Period
3. Mind the Gap, by Dave Calvert (University of Huddersfield, UK)
4. Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK)
5. Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic)
6. Punchdrunk, by Josephine Machon (Brunel University, UK)
7. Kneehigh, by Duška Radosavljevic (University of Kent, UK)
8. Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Endnotes
Bibliography
Index
Notes on Contributors
Reihe/Serie | British Theatre Companies: From Fringe to Mainstream |
---|---|
Mitarbeit |
Herausgeber (Serie): Graham Saunders, Prof. John Bull |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 399 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
ISBN-10 | 1-4081-7727-7 / 1408177277 |
ISBN-13 | 978-1-4081-7727-3 / 9781408177273 |
Zustand | Neuware |
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