Bach: The Goldberg Variations - Peter Williams

Bach: The Goldberg Variations

(Autor)

Buch | Softcover
120 Seiten
2001
Cambridge University Press (Verlag)
978-0-521-00193-9 (ISBN)
32,40 inkl. MwSt
Bach's spectacular Goldberg Variations represent a high point in the whole repertory of keyboard music, particularly for the harpsichord. This book takes a detailed look at their historical origins, what their exceptionally intricate plan is, what kind of impact they have had, and how their mysterious beauty has been created.
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?

Peter Williams (1937–2016) was an internationally renowned Bach scholar and performer. He held the first Chair in Performance Practice in Britain at the University of Edinburgh, where he was Director of the Russell Collection of Harpsichords and latterly Dean of Music. He was also the first Arts and Sciences Distinguished Chair at Duke University, North Carolina. He was the author of many books, including The Organ Music of J. S. Bach (3 volumes, Cambridge, 1981–1984), Bach, Handel, Scarlatti 1685–1985 (Cambridge, 1985), The Life of Bach (Cambridge, 2003) and J. S. Bach: A Life in Music (Cambridge, 2007).

Introduction; 1. Background and genesis; 2. Overall shape; 3. The movements; 4. Questions of reception; Appendix: the intended harpsichord.

Erscheint lt. Verlag 27.9.2001
Reihe/Serie Cambridge Music Handbooks
Zusatzinfo 23 Printed music items; 2 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 141 x 214 mm
Gewicht 150 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 0-521-00193-5 / 0521001935
ISBN-13 978-0-521-00193-9 / 9780521001939
Zustand Neuware
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