Photography
Pearson (Verlag)
978-0-205-98894-5 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
Incorporating the latest research and international uses of photography, Photography: A Cultural History, 4/e surveys the history of photography in such a way that students can gauge the medium's multifold developments and see the historical and cultural contexts in which photographers lived and worked. Mary Marien’s comprehensive survey shows how photography has sharpened, if not altered forever, our perception of the world. It provides a unique focus on contemporary photo-based work and electronic media.
The book was written to introduce students to photography, requiring no previous technical knowledge of photography. The fourth edition has been revised to include new material and to expand topics that have received recent scholarly and public attention. Material on the history of photography in China, ranging from the nineteenth century to the present, has been added throughout the new edition. For the first time, adopting instructors may receive access to a PowerPoint set containing many images from the book.
Mary Warner Marien is a professor in the Department of Fine Arts at Syracuse University New York where she teaches courses on photographic history as well as on art criticism and its history. In 2008 she won an Andy Warhol Foundation Arts Writer award for her continuing work on the history and theory of documentary photography and is the author of 'Photography and its Critics' (Cambridge University Press, 1997) as well as numerous articles on the history of photography.
In This Section:
I) Brief Table of Contents
II) Detailed Table of Contents
I) Brief Table of Contents
PART ONE: PHOTOGRAPHY’S DOUBLE INVENTION
Chapter 1. The Origins of Photography (to 1839)
Chapter 2. The Second Invention of Photography (1839– 1854)
PART TWO: THE EXPANDING DOMAIN (1854–1880)
Chapter 3. Popular Photography and the Aims of Art
Chapter 4. Imaging of the Social World
Chapter 5. Science and Social Science
PART THREE: PHOTOGRAPHY AND MODERNITY (1880–1918)
Chapter 6. The Great Divide
Chapter 7. Modern Life
PART FOUR: A NEW VISION (1918–1945)
Chapter 8.Art and the Age of Mass Media
Chapter 9. Documentary Expression and Popular Photography
PART FIVE: THROUGH THE LENS OF CULTURE (1945–1975)
Chapter 10. The Human Family
Chapter 11. The Cold War Era
PART SIX: CONVERGENCES (1975 TO THE PRESENT)
Chapter 12. Globalism, Technology, and Social Change
Chapter 13. The Culture of Critique
Chapter 14. Into the Twenty-First Century
II) Detailed Table of Contents
PART ONE: PHOTOGRAPHY’S DOUBLE INVENTION
Chapter 1. The Origins of Photography (to 1839)
Before Photography
The Invention of “Photographies”
Responses to the Announcement of the Daguerreotype
The Politics of Invention
Chapter 2. The Second Invention of Photography (1839– 1854)
The Second Invention
Photography and the Sciences
Recording Events with the Camera
War and Photography
Expeditionary and Travel Photography
Portraiture and the Camera
Photography and Fiction
PART TWO: THE EXPANDING DOMAIN (1854–1880)
Chapter 3. Popular Photography and the Aims of Art
Photographic Societies, Publications, and Exchange Clubs 79
The Stereograph
The Carte-de-Visite
Art and Photography
Photography as a Fine Art
Women Behind the Camera
Chapter 4. Imaging of the Social World
War and Photography
Later Conflicts
Topographical Surveys and Photography
Chapter 5. Science and Social Science
Photography and the Social Sciences 143
Photography in Medicine and Science 154
PART THREE: PHOTOGRAPHY AND MODERNITY (1880–1918)
Chapter 6. The Great Divide
Mass Media and Mass Markets 165
The Challenge for Art Photography
Pictorialism
Chapter 7. Modern Life
The Modern City
Science and Photography
Photography, Social Science, and Exploration
War and Revolution
PART FOUR: A NEW VISION (1918–1945)
Chapter 8.Art and the Age of Mass Media
Photojournalism
Revolutionary Art: The Soviet Photograph
Dada and After
Surrealist Photography
Experimental Photography and Advertising
California Modern
Chapter 9. Documentary Expression and Popular Photography
The Origins of Documentary
Popular Science/Popular Art
World War II
War and Photography
PART FIVE: THROUGH THE LENS OF CULTURE (1945–1975)
Chapter 10. The Human Family
The Family of Man
Cultural Relativism and Cultural Resistance
Photographing the Atomic Bomb
Chapter 11. The Cold War Era
Annihilation, Alienation, Abstraction: America
Technology and Media in Postwar America
Photography in Art
The Czar’s Pantheon
PART SIX: CONVERGENCES (1975 TO THE PRESENT)
Chapter 12. Globalism, Technology, and Social Change
Photography and the Global Experience
Photography, Nature, and Science
Post-Photography
The Predicaments of Social Concern
Neutral Vision
The Look of Politics
Chapter 13. The Culture of Critique
The New Social Documentary
The Postmodern Era
Family Pictures
Nature and the Body Politic
Enter Fashion
The Passing of Postmodernism
Chapter 14. Into the Twenty-First Century
War and Photography
The Past in the Present
The Medium of the Moment
Science and Society
Pre-Production/Post-Production
Screens and Platforms
Epilogue
| Erscheint lt. Verlag | 17.7.2014 |
|---|---|
| Sprache | englisch |
| Maße | 221 x 293 mm |
| Gewicht | 1510 g |
| Themenwelt | Kunst / Musik / Theater ► Fotokunst |
| Kinder- / Jugendbuch ► Sachbücher ► Kunst / Musik | |
| ISBN-10 | 0-205-98894-6 / 0205988946 |
| ISBN-13 | 978-0-205-98894-5 / 9780205988945 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
