Hearing and Knowing Music - Edward T. Cone

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Hearing and Knowing Music (eBook)

The Unpublished Essays of Edward T. Cone

Edward T. Cone (Autor)

Robert P. Morgan (Herausgeber)

eBook Download: EPUB

2009
240 Seiten
Princeton University Press (Verlag)
978-1-4008-3046-6 (ISBN)

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Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.

Edward T. Cone (1917-2004) was professor emeritus of music at Princeton University, where he taught from 1947 until his retirement in 1985. He wrote two of the twentieth century's most influential books about Western music, Musical Forms and Musical Performance (Norton) and The Composer's Voice. Robert P. Morgan is professor emeritus of music at Yale University and the editor of Cone's Music: A View from Delft, a collection of previously published essays.

Erscheint lt. Verlag	3.8.2009
Zusatzinfo	1 line illus. 12 tables. 31 musical examples.
Verlagsort	Princeton
Sprache	englisch
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
Schlagworte	Abbreviation (music) • Allegro Non Troppo • Appoggiatura • Atonality • Ballade (classical music) • Bassoon • Beautiful Music • cimbalom • Clarinet • Common chord (music) • Composer • Concertino (composition) • Don Giovanni • Entr'acte • Expressive potential (electronic music) • Fanfare • Favorite Song • Fine Art • for example • Franz Liszt • Gebrauchsmusik • general knowledge • Genre • Gigue • Harmony • Harpsichord • Hector Berlioz • Heterophony • Igor Stravinsky • In a Special Way • Instrumental • Intermezzo • Johannes Brahms • Leitmotif • Libretto • Ludwig van Beethoven • Lute • lyricism • lyricist • Mazurka • Melodic pattern • Melody • Mode (music) • Modest Mussorgsky • Modulation (music) • musical composition • musical expression • Musical Form • musical gesture • Musical History • Musical setting • Musical Theatre • Music Education • musician • Music Is • music theory • Mystic chord • Nicolay (musician) • Oboe • Opera • operetta • Orchestration • Ornament (music) • Other Music • Overture • Parody • Phrase (music) • Pianissimo • Pure Music • pyotr ilyich tchaikovsky • Reinterpretation • Rhythm • Richard Wagner • Roger Sessions • Romanticism • Sarabande • saxophone • Schumann • Sinfonia (Berio) • Singing • soliloquy • Sostenuto • string instrument • Sympathy (music) • Symphonic Poem • Symphony in C (Stravinsky) • The Feeling • The Soloist • The Well-Tempered Clavier • tonality • Tonic (music) • Tosca • Trill (music) • Trombone • tutti • violin • Vocal music • voice leading • voiles • Woodwind Instrument
ISBN-10	1-4008-3046-X / 140083046X
ISBN-13	978-1-4008-3046-6 / 9781400830466

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