Contemporary Collecting
Scarecrow Press (Verlag)
978-0-8108-9113-5 (ISBN)
In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives.
Covering a breadth of interdisciplinary perspectives and subjects—from PEZ candy dispensers and trading cards to sports memorabilia and music—Contemporary Collecting will be of interest to scholars of cultural studies, anthropology, popular culture studies, sociology, art history, and more.
Kevin M. Moist is associate professor of communications at Pennsylvania State University – Altoona College. He has written for numerous journals, including The Journal of Popular Culture, American Studies, Journalism and Mass Communication Quarterly, and Studies in Popular Culture. David Banash is professor of English at Western Illinois University, where he teaches courses in contemporary American literature, film, and popular culture. His essays and reviews have appeared in Postmodern Culture, Reconstruction, Bad Subjects, American Book Review, and PopMatters. His book Collage Culture: Readymades, Meaning, and the Age of Consumption is forthcoming in 2013.
Table of Contents
Acknowledgements
Introduction
Part 1Collecting in a Virtual World
1. Marcus Boon, “Meditations in an Emergency: On the Apparent Destruction of My mp3 Collection”
2. Matthew James Vechinski, “Collecting, Curating, and the Magic Circle of Ownership in a Postmaterial Culture”
3. Phillip Hutchison, “Searching for Cap’n Ernie’s Treasure Chest:
Collecting and Sharing the Lost History of Live Local Television Genres”
Part 2Changing Relationships with Things
4. David Banash, “Virtual Life and the Value of Objects: Nostalgia, Distinction, and Collecting in the Twenty-First Century”
5. Daniel DeChaine, “Memory, Desire, and the “Good Collector” in PEZhead Culture”
6. William Davies King, “Suited for Nothing: Collecting Second Hand”
7. Stanley Cavell, “The World As Things: Collecting Thoughts On Collecting”
Part 3Collecting and Identity, Personal and Political
8. Stephen A. Andon, “From the Attic to the Mallpark: A Collection’s Transition from Private to Public in a New Professional Baseball Stadium”
9. Mechtild Widrich, “Collecting ‘History in the Making’: The Privatization of Propaganda in National Socialist Cigarette Cards”
10. Terri Baker, “‘The record of a life’: Nation and Narrative
in Victorian Women’s Collections”
Part 4Collecting Practices and Cultural Hierarchies
11. Sophie Thomas, “Distraction and Display: the Curiosity Cabinet and the Romantic Museum.”
12. Mary Titus, “Collection and Parody: Taliesin and House on the Rock”
13. Kevin M. Moist, “Record Collecting as Cultural Anthropology”
Bibliography
Contributor Biographies
Verlagsort | Lanham, MD |
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Sprache | englisch |
Maße | 162 x 240 mm |
Gewicht | 553 g |
Themenwelt | Kunst / Musik / Theater ► Antiquitäten |
Sachbuch/Ratgeber ► Freizeit / Hobby | |
Sozialwissenschaften | |
ISBN-10 | 0-8108-9113-1 / 0810891131 |
ISBN-13 | 978-0-8108-9113-5 / 9780810891135 |
Zustand | Neuware |
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