Music and Its Referential Systems (eBook)
336 Seiten
Hollitzer Wissenschaftsverlag
978-3-99012-018-7 (ISBN)
The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music.
Mario Vieira de Carvalho: Musical Autonomy as a Referential System;
Matjaz Barbo: Systems of Values in Diverse Aesthetic Realities;
Karmen Salmic Kovacic: The Human Perception of Music: The Most Intricate and Complex Referential System;
Ana Petrov: Max Weber's Theory of Music Development: Evolution and Rationalization of Music;
Thomas Hochradner: Education of the Masses or The Patient Continuity of a Referential System: Eberhard Preußner's Writings on Music History;
Leon Stefanija: Between Nature and Culture: A Note on David Huron's "Musicological Repercussion�;
Robert J. Dow: The Referential in Acousmatic Music;
Michael Walter: The Change from Cultural Practice to Aesthetic Practice: Gregorian Chant as an Example;
Olga Jokic: The Eschatological Meaning of Music and the Eschatological Function of Liturgy: Ernst Bloch's Philosophy and Eschatology of Orthodox Christianity;
Katarina Bogunovic Hocevar: The Musical-Historical Concept of Romanticism: A Scientifically Applicable Label?
Gregor Pompe: The Question of Referential Frameworks in Wagner's Music Dramas;
Srdan Atanasovski: Schoenberg and the Overtones: Evolving the Ear, Shaping the History;
Lubomir Spurny: Yesterday's Art, Tomorrow's World;
Nico Schüler: The Music of Hanning Schröder (1896-1987): Between Autonomy and Function and Between Twelve-Tone Technique and New Objectivity;
Igor Radeta: Symbols of Faith in Metaliturgical Discourse: The Case of Messiaen;
Cheong Wai Ling: Culture as Reference in the "Gagaku" of Messiaen's Sept Haïkaï;
Larisa Vrhunc: "Spectral� Aspects in Neville Hall's Compositional Thinking;
Anna Gadzinski: Film Music beyond Stigmatisation with Effects;
Maja Vasiljevic: How Not to Turn Film Music into a Musical Work: Towards Sociological Approach to Film Music;
Tja�a Ribizel: RTV Slovenia Symphony Orchestra's Management from 1955 to 1963;
Milica Simic: Folk Music on Radio Belgrade: A Turning Point in Folk Music Singing and Recording Practice on the Serbian National Broadcaster;
Jelena Arnautovic: Rock Music as an Alternative Space in Serbia during the Sixties: The Case of Radio Belgrade;
Julijana Zhabeva-Papazova: Alternative Music in Yugoslavia in the 1980's and the Concept of its Ideology;
Erscheint lt. Verlag | 24.2.2012 |
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Reihe/Serie | Specula Spectacula |
Verlagsort | Wien |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Schlagworte | Acousmatic Music • film music • Folk music • Gregorian Chant • Hanning Schröder • history of music • Max Weber • Messiaen • Muiscal Autonomy • Music Development • Musicological Repercussion • Musictheory • Musictheory; History of Music; Referential System; Style in Music; Folk Music; Film Music; Yugoslavia; Radio Belgrade; RTV Slovenia; Hanning Schröder; Sept Haikai; Schoenberg; Max Weber; Music Development; Perception of Music; Muiscal Autonomy; Musicologic • Perception of Music • Radio Belgrade • Referential System • Romanticism • RTV Slovenia • Schoenberg • Sept Haikai • Style in Music • Yugoslavia |
ISBN-10 | 3-99012-018-2 / 3990120182 |
ISBN-13 | 978-3-99012-018-7 / 9783990120187 |
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