Peter Gabriel, From Genesis to Growing Up

Dr Michael Drewett, Senior Lecturer, Department of Sociology, Rhodes University, South Africa, Dr Sarah Hill, Lecturer in Music, Cardiff University, UK and Kimi Kärki, Research Fellow, Department of Cultural History, University of Turku, Finland.

Contents: Peter Gabriel: from Genesis to growing up, Michael Drewett, Sarah Hill and Kimi Kärki; Part I Identity and Representation: From the New Jerusalem to the secret world: Peter Gabriel and the shifting self, Sarah Hill; Peter Gabriel and the question of being eccentric, Kari Kallioniemi; How Peter Gabriel got his mozo working, Kevin Holm-Hudson; Staging masculinities: visual imagery in Peter Gabriel's 'Sledgehammer' video, Brenda Schmahmann; Peter Gabriel's elegy for Anne Sexton: image and music in 'Mercy Street', Carol Vernallis. Part II Politics and Power: The eyes of the world are watching now: the political effectiveness of 'Biko' by Peter Gabriel, Michael Drewett; Musical markers as catalysts in social revolutions: the case of Gabriel's 'Biko', Ingrid Bianca Byerly; 'Nothin' but the same of story': old hegemonies, new musics, Timothy D. Taylor; 'Hand-made, hi-tech, worldwide': Peter Gabriel and world music, David Laing. Part III Production and Performance: Nursery crymes and sirens' cries: Peter Gabriel's use of the flute, Rebecca Guy; 'I'd like my record to sound like this...': Peter Gabriel and audio technology, Franco Fabbri; 'I need contact' - rock 'n' roll ritual: Peter Gabriel's Security tour, 1982-83, Jeffrey Callen; Plasticine music: surrealism in Peter Gabriels 'Sledgehammer', John Richardson; The introspectionist: the phonographic staging of voice in Peter Gabriel's 'Blood of Eden' and 'Digging in the Dirt', Serge Lacasse; Turning the axis: the stage performance design collaboration between Peter Gabriel and Robert Lepage, Kimi Kärki; Bibliography; Index.