Music Makes Me
Fred Astaire and Jazz
Seiten
2011
University of California Press (Verlag)
978-0-520-26890-6 (ISBN)
University of California Press (Verlag)
978-0-520-26890-6 (ISBN)
- Lieferbar (Termin unbekannt)
- Versandkostenfrei innerhalb Deutschlands
- Auch auf Rechnung
- Verfügbarkeit in der Filiale vor Ort prüfen
- Artikel merken
Fred Astaire: one of the great jazz artists of the twentieth century is best known for his brilliant dancing in the movie musicals of the 1930s, but in "Music Makes Me", this book argues that Astaire's work as a dancer and choreographer - particularly in the realm of tap dancing - made a significant contribution to the art of jazz.
Fred Astaire: one of the great jazz artists of the twentieth century. Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in "Music Makes Me", Todd Decker argues that Astaire's work as a dancer and choreographer - particularly in the realm of tap dancing - made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals - arrangers, musicians, dance directors, and performers.
Fred Astaire: one of the great jazz artists of the twentieth century. Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in "Music Makes Me", Todd Decker argues that Astaire's work as a dancer and choreographer - particularly in the realm of tap dancing - made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals - arrangers, musicians, dance directors, and performers.
Todd Decker is Assistant Professor of Music at Washington University in St. Louis.
List of Illustrations Introduction Part One: Astaire among Others 1. "There's a difference and Astaire is it" 2. "I am a creator" Part Two: Astaire at the Studios 3. "I play with the very best bands" 4. "Tell them to let it swing" 5. "Fixing up" tunes Part Three: Astaire in Jazz and Popular Music 6. "Keep time with the time and with the times" 7. "Jazz means the blues" 8. "Anything that will send me" 9. "You play and I'll dance" Conclusion Notes References Acknowledgments Permissions Index
Erscheint lt. Verlag | 12.7.2011 |
---|---|
Zusatzinfo | 19 b-w photographs, 5 tables, 7 music examples |
Verlagsort | Berkerley |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
ISBN-10 | 0-520-26890-3 / 0520268903 |
ISBN-13 | 978-0-520-26890-6 / 9780520268906 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
zur politischen Ästhetik des Jazz
Buch | Hardcover (2023)
Phillip Reclam (Verlag)
38,00 €
Die Geschichte des Jazz in Deutschland
Buch | Softcover (2021)
Reclam, Philipp (Verlag)
20,00 €