Composed Theatre
Intellect Books (Verlag)
978-1-84150-456-8 (ISBN)
A unique contribution to an emerging field, Composed Theatre explores musical strategies of organization as viable alternative means of organizing theatrical work. In addition to insightful essays by a stellar group of international contributors, this volume also includes interviews with important practitioners, shedding light on historical and theoretical aspects of composed theatre.
David Roesner is a senior lecturer in drama at the University of Exeter. Matthias Rebstock is junior professor of scenic music at the University of Hildesheim in Germany.
Introduction: Composed Theatre in Context – David Roesner
PART I: History and Methodology
Chapter 1: Composed Theatre: Mapping the Field – Matthias Rebstock
Chapter 2: Composition and Theatre – Roland Quitt
Chapter 3: ‘Happy New Ears’: Creating Hearing and the Hearable – Petra Maria Meyer
PART II: Processes and Practices: Work Reports and Reflections
Chapter 4: ‘It’s all part of one concern’: A ‘Keynote’ to Composition as Staging – Heiner Goebbels
Chapter 5: ‘ Theatre in small quantities’: On Composition for Speech, Sounds and Objects – Michael Hirsch
Chapter 6: … To Gather Together What Exists in a Dispersed State … – Jörg Laue
Chapter 7: From Interdisciplinary Improvisation to Integrative Composition: Working Processes at the Theater der Klänge – Jörg U. Lensing
Chapter 8: ‘ Let’s stop talking about it and just do it!’: Improvisation as the Beginning of the Compositional Process – George Rodosthenous
Chapter 9: Hearing Voices – Transcriptions of the Phonogram of a Schizophrenic: Music-theatre for Performer and Audio-visual Media – Nicholas Till
Chapter 10: Composing Theatre on a Diagonal: Metaxi ALogon, a Music-centric Performance – Demetris Zavros
PART III: Processes and Practices: Portraits and Analyses
Chapter 11: ‘Ça devient du théâtre, mais ça vient de la musique’: The Music Theatre of Georges Aperghis – Matthias Rebstock
Chapter 12: Musical Conquest and Settlement: On Ruedi Häusermann’s Theatre Work(s) – Judith Gerstenberg
Chapter 13: Composing with Raw Materials: Daniel Ott’s Music-theatre Portraits and Landscapes – Christa Brüstle
Chapter 14: Permanent Quest: The Processional Theatre of Manos Tsangaris – Jörn Peter Hiekel
PART IV: Discussion and Debate
Chapter 15: Composed Theatre – Discussion and Debate: On Terminology, Planning and Intuition, Concepts and Processes, Self-reflexivity and Communication – Edited by Matthias Rebstock and David Roesner
PART V: Discourse and Analysis
Chapter 16: ‘ It is not about labelling, it’s about understanding what we do’: Composed Theatre as Discourse – David Roesner
| Erscheint lt. Verlag | 15.4.2012 |
|---|---|
| Verlagsort | Bristol |
| Sprache | englisch |
| Maße | 178 x 229 mm |
| Gewicht | 785 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-84150-456-4 / 1841504564 |
| ISBN-13 | 978-1-84150-456-8 / 9781841504568 |
| Zustand | Neuware |
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