Follow Your Heart
Moving with the Giants of Jazz, Swing, and Rhythm and Blues
Seiten
2011
University of Illinois Press (Verlag)
978-0-252-07815-6 (ISBN)
University of Illinois Press (Verlag)
978-0-252-07815-6 (ISBN)
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The life and career of an important African American music executive, entrepreneur, and musician
Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.
Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.
Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.
Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.
Christopher Brooks is a professor of African American studies and anthropology at Virginia Commonwealth University. He coauthored Shirley Verrett's bestselling autobiography, I Never Walked Alone.
Foreword by Tavis Smiley vii Foreword by Bill McFarlin ix Preface xi Acknowledgments xiii Part One 1. Pensacola Blues 3 2. Music Crazy 12 3. Boy Meets Band 20 4. "Ma" Rainey's Deep South 32 Part Two 5. New York, New York 43 6. Hootie and the Bird 56 7. The Big, Big Bands 66 8. Call Me "Italy" 80 9. The End of an Era 89 Part Three 10. The Rhythm and Blues Scene 103 11. The Rise of Carnival Records 114 12. After the Manhattans 135 Epilogue: Long Good-byes 147 Discography 153 Index 156 Photos follow pages 88 and 134
Reihe/Serie | African Amer Music in Global Perspective |
---|---|
Zusatzinfo | 19 photographs |
Verlagsort | Baltimore |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 286 g |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
ISBN-10 | 0-252-07815-2 / 0252078152 |
ISBN-13 | 978-0-252-07815-6 / 9780252078156 |
Zustand | Neuware |
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