French Organ Music from the Revolution to Franck and Widor

Part 1 From the revolution to Franck: evolutionary schemes -organists and their revolutionary music, Kimberly Marshall and William J. Peterson; organ music in the Mass of the Parisian rite to 1850 with emphasis on the contributions of Boely, Benjamin Van Wye; Boely's "Quatorze Preludes sur des Cantoques de Denisot" op.15, and the creation of a French "Christmas" "Orgelbuchlein", Craig Cramer; Lemmens, his "Ecole d'orgue" and 19th-century organ methods, William J. Peterson. Part 2 Franck - the texts: Paris, Bibliotheque Nationale, MS 8707 - a new source for Franck's registrational practices and its implications for the published registrations of his organ works, Jesse E. Eschbach; from manuscript to publication - Franck's "Choral" no.1, Karen Hastings-Deans. Part 3 Franck - issues in performance: the organ works of Franck - a survey of editorial and performance problems, Marie-Louise Jaquet-Langlais; some thoughts on the interpretation of the organ works of Franck, on his organ and on the Lemmens tradition, Daniel Roth. Part 4 Widor and his contemporaries: "Why should we not do the same with our Cathlic melodies?" - Guilmant's "L'Organiste liturgiste" op.65, Edward Zimmerman and Lawrence Archbold; Widor's "Symphonie romane", Lawrence Archbold; the organ of the Trocadero and its players, Rollin Smith.