Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 1 -

Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 1

Text, Music and Image from Machaut to Ariosto
Buch | Hardcover
288 Seiten
2011
University of Exeter Press (Verlag)
978-0-85989-851-5 (ISBN)
136,55 inkl. MwSt
From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. The essays investigate work by renowned authors, composers and artists, as well as less familiar sources, from France, England and Italy.
From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits. In so doing they also manipulated the memory of their readers. This volume represents a multidisciplinary approach to the themes of citation and intertextual play. It is also an exploration of the role of memory in the cultural production of the late Middle Ages and early Renaissance. The essays investigate work by renowned authors, composers and artists, as well as less familiar sources, from France, England and Italy.

Yolanda Plumley is Director of the Centre for Medieval Studies at the University of Exeter and Reader in Medieval Music and Culture. Giuliano Di Bacco is Research Fellow in Medieval Studies at the University of Exeter. Stefano Jossa is Lecturer in Italian at Royal Holloway, University of London.

Introduction by Lina Bolzoni (scuola Normale Superiore, Pisa, Italy)
1. Benjamin Albritton (Washington State University, USA) Translation and Parody: Responses to Machaut's Lay de confort
2. Jacques Boogaart (University of Amsterdam, Netherlands) Folie couvient avoir. Citation and Transformation in Machaut's Musical Works: Gender Change and Transgression
3. Ardis Butterfield (University College London) The Construction of Textual Form: Cross-Lingual Citation in the Medieval Lyric
4. Monica Calabritto (City University of New York, USA) Examples, References and Quotations in Sixteenth-Century Medical Texts
5. Alessandro Daneloni (University of Messina, Italy) Auctores and Auctoritas in the Preface to Angelo Poliziano's Miscellaneorum Centuria Prima
6. Stefano Jossa (Royal Holloway University of London) Classical Memory and Modern Poetics in Ariosto's Orlando furioso
7. Domenic Leo (Youngstown State University, USA) The Beginning is the End: Guillaume de Machaut's Illuminated Prologue
8. Anthony Musson (University of Exeter) The Power of Image: Allusion and Intertextuality in Illuminated English Law books
9. R. Barton Palmer (Clemson University, USA) Self-Allusion and the Poetics of Metafictionality in Guillaume de Machaut's Voir-Dit
10. Kathleen Palti (University College London) Representations of Voices in Middle English Lyrics
11. Jan Stejskal (University of Olomouc, Czech Republic) Memory and Heresy: Perception of the Hussite Reformation in 15th-century Tuscany
12. Anne Stone (City University of New York, USA) Machaut Sighted in Modena
13. Karel Thein (University of Prague, Czech Republic) Image, Memory and Judgement. On Ambrogio Lorenzetti's Good Government frescoes and his Allegory of Redemption
Bibliography
Index

Erscheint lt. Verlag 22.7.2011
Reihe/Serie Exeter Studies in Medieval Europe
Sprache englisch
Maße 163 x 239 mm
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geschichte Allgemeine Geschichte Mittelalter
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Geisteswissenschaften Psychologie Biopsychologie / Neurowissenschaften
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
ISBN-10 0-85989-851-2 / 0859898512
ISBN-13 978-0-85989-851-5 / 9780859898515
Zustand Neuware
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