Directors & Designers -

Directors & Designers

Christine White (Herausgeber)

Buch | Softcover
272 Seiten
2010
Intellect Books (Verlag)
978-1-84150-289-2 (ISBN)
36,10 inkl. MwSt
Offers an insight and sets out a history of what scenography as a practice and study has come to mean while also looking at specific scenographic practitioners, their work and how they have negotiated that practice with directors. This title also offers the reader insights into the working relationships of people in these creative roles.
Directors and Designers explores the practice of scenography—the creation of perspective in the design and painting of stage scenery—and offers new insight into the working relationships of the people responsible for these theatrical transformations. With contributions from leading practitioners and theorists, editor Christine White describes the way in which the roles of director and designer have developed over time. Featuring chapters on theater and site-specific performance, theatrical communication and aesthetics, and the cognitive reception of design by the audience, this volume provides a valuable resource on current approaches to scenography for professionals and students.

Christine White is head of narrative and interactive arts in the School of Art and Design at Nottingham Trent University.

PART I: SETTING THE SCENE 



Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994–St Petersburg 2004 – Christine White



PART II: PERFORMING PARTNERS



Chapter 2: Hand in Glove: The Designer as Director as Designer – Charles Erven



Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre – Anne Fletcher



Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice – Kathleen Irwin



Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man – Vera Velemanová



Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director–Designer Relationship – Alison Oddey



Chapter 7: Collaborative Models: Mielziner, Williams and Kazan – Julia Listengarten



Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology – Julia Listengarten



Chapter 9: Methodological Practices for Directing and Designing – Christine White



Chapter 10: The Digital Platform as a Communication Tool – Adele Keeley



PART III: METAPHORS, METATHEATRE & METHODOLOGIES



Chapter 11: The Seductive Scene or Reclaiming Spectacle – Christine White



Chapter 12: Metatheatre: A Discourse on Contemporary Staging – Ewa Waçhocka



Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group Theatre – Scott Dahl



Chapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships – Harry Feiner



Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes – Gregory Sporton



PART IV: POSTSCRIPT TO THE DIRECTOR



Chapter 16: From Hamlet with Love: A Letter to the Other – Lilja Blumenfeld

Erscheint lt. Verlag 12.7.2013
Verlagsort Bristol
Sprache englisch
Maße 178 x 229 mm
Gewicht 445 g
Themenwelt Kunst / Musik / Theater Design / Innenarchitektur / Mode
Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Theater / Ballett
ISBN-10 1-84150-289-8 / 1841502898
ISBN-13 978-1-84150-289-2 / 9781841502892
Zustand Neuware
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