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A Companion to Renaissance Drama

Arthur F. Kinney (Herausgeber)

Software / Digital Media
648 Seiten
2007
Wiley-Blackwell (Hersteller)
978-0-470-99892-2 (ISBN)
142,80 inkl. MwSt
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This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. * Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. * Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. * Gives readers facts and data along with up-to-date interpretation of the plays. * Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.

Arthur F. Kinney is Copeland Professor of Literary History at the University of Massachusetts, Amherst and Director of the Massachusetts Center for Renaissance Studies. He is the editor of A Companion to Renaissance Drama (Blackwell, 2002) and of the journal English Literary Renaissance. His other recent publications include Lies like Truth: Shakespeare, Macbeth, and the Cultural Moment (2001) and Shakespeare by Stages (Blackwell, 2002).

List of Illustrations. Notes on Contributors. Acknowledgements. Introduction: The Dramatic World of the Renaissance. (Arthur F. Kinney). Part One: The Drama's World. 1. The Politics of Renaissance England . (Norman Jones). 2. Political Thought and the Theater, 1580-1630. (Annabel Patterson). 3. Religious Persuasions, C.1580-C.1620. (Lori Anne Ferrell). 4. Social Discourse and the Changing Economy. (Lee Beier). 5. London and Westminster. (Ian W. Archer). 6. Vagrancy. (William C. Carroll). 7. Family and Household. (Martin Ingram). 8. Travel and Trade. (William H. Sherman). 9. Everyday Custom and Popular Culture. (Michael Bristol). 10. Magic and Witchcraft. (Deborah Willis). Part Two: The World of Drama. 11. Play Houses. (Herbert Berry). 12. The Transmission of an English Renaissance Play-text. (Grace Ioppolo). 13. Playing Companies and Repertory. (Roslyn L. Knutson). 14. Must the Devil Appear?: Audiences, Actors, and Stage Business. (S. P. Cerasano). 15. "The Actors are Come Hither": Traveling Companies. (Peter H. Greenfield). 16. Jurisdiction of Theater and Censorship. (Richard Dutton). Part Three: Kinds of Drama. 17. Medieval and reformation Roots. (Raphael Falco). 18. The Academic Drama. (Robert S. Knapp). 19. "What revels are in Hand?": Performances in the Great Households. (Suzanne Westfall). 20. Progresses and Court Entertainments. (R. Malcolm Smuts). 21. Civic Drama. (Lawrence Manley). 22. Boy Companies and Private Theaters. (Michael Shapiro). 23. Revenge Tragedy. (Eugene D. Hill)]. 24. Staging the Malcontent in early Modern England. (Mark Thornton Burnett). 25. City Comedy. (John A. Twyning). 26. Domestic Tragedy: Private Life on the Public Stage. (Lena Cowen Orlin)]. 27. Romance and Tragicomedy. (Maurice Hunt). 28. Gendering the Stage. (Alison Findlay). 29. Closet Drama. (Marta Straznicky). Part Four: Dramatists. 30. Continental Influences. (Lawrence, F. Rhu). 31. Christopher Marlowe. (Emily C. Bartels). 32. Ben Jonson. (W. David Kay). 33. Sidney, Cary, Wroth. (Margaret Ferguson). 34. Thomas Middleton. (John Jowett). 35. Beaumont and Fletcher. (Lee Bliss). 36. Collaboration. (Philip C. McGuire). 37. John Webster. (Elli Abraham Shellist). 38. John Ford. (Mario DiGangi). Index.

Erscheint lt. Verlag 13.12.2007
Verlagsort Hoboken
Sprache englisch
Maße 188 x 258 mm
Gewicht 1334 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-470-99892-X / 047099892X
ISBN-13 978-0-470-99892-2 / 9780470998922
Zustand Neuware
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