Tudor Autobiography
Listening for Inwardness
Seiten
2008
University of Chicago Press (Verlag)
978-0-226-76187-9 (ISBN)
University of Chicago Press (Verlag)
978-0-226-76187-9 (ISBN)
- Titel z.Zt. nicht lieferbar
- Versandkostenfrei innerhalb Deutschlands
- Auch auf Rechnung
- Verfügbarkeit in der Filiale vor Ort prüfen
- Artikel merken
Investigates eleven sixteenth-century English writers who used sermons, a saint's biography, courtly and popular verse, a traveler's report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories.
Histories of autobiography in England often assume the genre hardly existed before 1600. But "Tudor Autobiography" investigates eleven sixteenth-century English writers who used sermons, a saint's biography, courtly and popular verse, a traveler's report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories.In the past such texts have not been called autobiographies because they do not reveal much of the inwardness of their subject, a requisite of most modern autobiographies. But, according to Meredith Anne Skura, writers reveal themselves not only by what they say but by how they say it. Borrowing methods from affective linguistics, narratology, and psychoanalysis, Skura shows that a writer's thoughts and feelings can be traced in his or her language. Rejecting the search for 'the early modern self' in life writing, "Tudor Autobiography" instead asks what authors said about themselves, who wrote about themselves, how, and why. The result is a fascinating glimpse into a range of lived and imagined experience that challenges assumptions about life and autobiography in the early modern period.
Histories of autobiography in England often assume the genre hardly existed before 1600. But "Tudor Autobiography" investigates eleven sixteenth-century English writers who used sermons, a saint's biography, courtly and popular verse, a traveler's report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories.In the past such texts have not been called autobiographies because they do not reveal much of the inwardness of their subject, a requisite of most modern autobiographies. But, according to Meredith Anne Skura, writers reveal themselves not only by what they say but by how they say it. Borrowing methods from affective linguistics, narratology, and psychoanalysis, Skura shows that a writer's thoughts and feelings can be traced in his or her language. Rejecting the search for 'the early modern self' in life writing, "Tudor Autobiography" instead asks what authors said about themselves, who wrote about themselves, how, and why. The result is a fascinating glimpse into a range of lived and imagined experience that challenges assumptions about life and autobiography in the early modern period.
Meredith Anne Skura is the Libbie Shearn Moody Professor of English at Rice University and the author of The Literary Use of the Psychoanalytic Process and Shakespeare the Actor and the Purposes of Playing, the latter also published by the University of Chicago Press.
Erscheint lt. Verlag | 19.9.2008 |
---|---|
Sprache | englisch |
Maße | 16 x 23 mm |
Gewicht | 567 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 0-226-76187-8 / 0226761878 |
ISBN-13 | 978-0-226-76187-9 / 9780226761879 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Dichtung, Natur und die Verwandlung der Kräfte 1770-1830
Buch | Hardcover (2023)
De Gruyter (Verlag)
59,00 €