The Akathistos Hymnos and Intermedial Compositional Processes in Later Byzantium

Jon C. Cubas Díaz is Lecturer at the University of Göttingen, Germany. He previously held teaching and research positions at the University of Heidelberg and the University of Rostock.

1. Sung, Written and Painted. Approaching Intermediality and the Akathistos Narratives
Jon C. Cubas Díaz

2. The Akathistos Aniconically
Thomas Arentzen

3. Georgi Parpulov, The Manuscript Tradition of the Akathistos Hymn
Georgi Parpulov

4. The Musical Traditions of the Kontakia, the Akathistos and the Development of the Oikematarion
Christian Troelsgård

5. The Akathistos Hymn in Byzantine Hymnography and Psalmody. Intermedial Compositional Aspects within the canon «Ἀνοίξω τὸ στόµα µου» and the Liturgical Rite of the Ἀκολουθία τοῦ Ἀκαθίστου Ὕµνου
Manolis Ulbricht

6. When Iconography and Typika Meet: Performing the Akathistos Hymnos in Time and Space
Evangelia Spyrakou

7. Building Sound Spheres - Spaces of Acoustic Experince in Byzantine Churches
Friederike Kranig

8. A Song of Victory on the Eve of the Fall: Re-Framing the Akathistos Escurialensis
Manuel Castiñeiras

9. The Politics of Narrativity in the Akathistos Cycleat Decani Monastery
Nicole P. Sullo

10. From Liturgy to Private Piety. The Akathistos Hymn in Moldavia at the turn of the 16th and 17th centuries
Oana Iacubovschi

11. St Maximus the Greek and the Reflection of Akathistos Hymn in his Works
Neza Zajc 

12. The Akathistos Hymn and its Visual Rendering in Venetian Crete
Guoda Gediminskait

13. The Akathist Hymn in the Monastery of St. John Lampadistes in Kalopanagiotes
Ioannis Eliades

14. Charalampos Chotzakoglou, Iconographic, Liturgical, and Dogmatic Aspects of the Akathistos' Representations in Latin-occupied Cyprus