Shakespeare: The Basics

Sean McEvoy is a Fellow of Murray Edwards College, University of Cambridge, UK. His publications include Tragedy: The Basics (2016), Ben Jonson, Renaissance Dramatist (2008) and William Shakespeare’s Hamlet: A Sourcebook (2006).

List of Illustrations

Acknowledgements

Introduction: William Shakespeare 1564-2024

Shakespeare’s Life: An Outline

Shakespeare’s Afterlife

Shakespeare Goes to College

Shakespeare 2025

How to Use this Book

PART I

Chapter 1. Shakespeare’s Language

Writing for a Theatre Audience

Box 1.1: Shakespeare’s Audiences

Simple or Complex, the Language is Dramatic

Verse and Prose

Box 1.2: Playtexts in Shakespeare’s Time

Rhetorical Figures and Tropes

Box 1.3: Some Rhetorical Figures and Tropes

Rhetoric and Dramatic Action

Box 1.4: Social Hierarchy in Shakespeare’s England

Chapter 2. Shakespeare’s Theatre

The Open Air Playhouse

Indoor Playhouses

Acting Style

Box 2.1: Males Playing Women

Representation on the Early Modern Stage

Box 2.2: Theatre’s Enemies

Dramatic Forms and Metatheatre

Chapter 3. Shakespeare on the Modern Stage

Paul Robeson’s 1930 Othello

Othello at the National Theatre (2022)

Box 3.1: Shakespeare, Race and Empire

Cheek by Jowl’s 1991 As You Like It

A Midsummer Night’s Dream at the Bridge Theatre (2019)

Chapter 4. The Shakespeare Film

Filming Shakespeare

Tragedy on Screen in 2018 and 2021: King Lear and The Tragedy of Macbeth

Globalized American Shakespeare at the Millennium: Ten Things I Hate About You (1999) and O (2001)

PART II

Chapter 5. Comedy: The Taming of the Shrew, Measure for Measure, The Merchant of Venice, As You Like It and Twelfth Night

Men, Women and Marriage in The Taming of the Shrew

Box 5.1: Women and Marriage in Shakespeare’s England

Language and Power in Measure for Measure

Language and the Outsider in The Merchant of Venice

Humans and Nature in As You Like It

Ambiguity, Language and Desire in Twelfth Night

Chapter 6. The History Plays: Richard II, Henry IV (Part 1) and Henry V

Feudalism in Historical Perspective: Richard II

Box 6.1: Christianity in Shakespeare’s England

Language, Meaning and Historical Change in Richard II

Power and Performance in Henry V and Henry IV, Part 1

Box 6.2: Shakespeare’s Theatre and Political Freedom of Expression

The Subversive Subplot: Henry V and Henry IV, Part 1

Women and Masculinity in the History Plays

Chapter 7. Tragedy: Hamlet, Macbeth, Othello, King Lear and Romeo and Juliet

Tragedy and Historical Conflict

Box 7.1: London

Hamlet and Tragic Division

Tragic Kingship in Macbeth

Past, Present and Future in Othello

Unmasking Power in King Lear

Tragedy and Love in Romeo and Juliet

Chapter 8. The Romance Plays: The Winter’s Tale and The Tempest

Female Authority in The Winter’s Tale

Contesting the Female: Miranda in The Tempest

Wonder and Artifice in The Tempest and The Winter’s Tale

Freedom in The Tempest

Romance and Time

Chronology

Glossary

Index