Staging Change
Methuen Drama (Verlag)
978-1-350-44563-5 (ISBN)
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Staging Change explores the ways in which activist performances are deeply informed by dramatic logic in both the way they are designed and in the way audiences read them. Scrimer argues that these performative arrangements are naturalized to the extent that they can limit our ability to imagine other ways of thinking and being. By combining performance analysis, interviews with artists and activists, and autoethnographic accounts of the author’s own experiences as an environmental activist, the book illustrates the limitations of dramatic representation in activist performance and then explores how Hans-Thies Lehmann’s theory of postdramatic theatre might provide alternative models for activism and new ways to talk about and evaluate activist performances as they play out in the 21st century.
The last decade has seen an increase in political demonstrations world-wide particularly following the excitement and disappointments of the Arab Spring uprisings. We have seen several notable movements such as the Occupy movement, the mobilization of Black Lives Matter, and the Me Too movement. In response, scholars, artists and activists from diverse disciplines have produced an exciting array of practical and theoretical approaches for talking about and thinking through activism. Utilizing these interdisciplinary approaches, Scrimer offers us a theoretical inquiry into the possible applications of postdramatic theatre theory in the context of political activism, and subsequently extends an alternative conceptual model for activist performance beyond the dramatic paradigm.
Victoria L. Scrimer is Instructor of Dramatic Literature, Theatre History, and Communication at both the University of Maryland, USA, and the University of Mary Washington, USA. She has spent a decade working for social and environmental justice organizations including Greenpeace and First Peoples Worldwide.
Preface
Introduction
Politics and the Postdramatic
On Activism and Dramatic Theatre
Chapter Summary
Chapter One: Directing the Activist Gaze
Greenpeace: Ordering the Visible
On Seeing and Perceiving in The Weavers
From Bearing Witness to Being Witnessed
Chapter Two: Absent Executioners and the Spectacle of the Scaffold
The Self-Immolation of David Buckel
Dramatists and Activists
A Semantics of Form
Chapter Three: When the Play is Not the Thing
Political Hobbyism and Deadly Theatre
The Mueller Investigation: A Search for Truth in Ten Acts
Ritual and Live Readings
Chapter Four: Soft Authoritarianism and the Hybrid Drama
Dramacracy in Russia
Drama and the Distribution of the Sensible
Cacerolazo: Ordering the Audible
Chapter Five: On Transgression and Resistance
A Promiscuity of Form
Trump’s Theatre of Cruelty
Affirmation of the Irregular
Conclusion
Bibliography
Index
Erscheint lt. Verlag | 23.1.2025 |
---|---|
Reihe/Serie | Methuen Drama Agitations: Text, Politics and Performances |
Mitarbeit |
Herausgeber (Serie): Anja Hartl, William C. Boles |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung | |
ISBN-10 | 1-350-44563-0 / 1350445630 |
ISBN-13 | 978-1-350-44563-5 / 9781350445635 |
Zustand | Neuware |
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