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Rewriting Literary Blackness in Harlem
The Intertextuality of Hubert Harrison, George S. Schuler, and Wallace Thurman
Seiten
2024
Lexington Books/Fortress Academic (Verlag)
978-1-6669-1126-8 (ISBN)
Lexington Books/Fortress Academic (Verlag)
978-1-6669-1126-8 (ISBN)
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Using works by Hubert Harrison, George S. Schuyler, and Wallace Thurman as illustrations of blackness and literature in the early twentieth century, the author investigates how these works reflect Black Americans’ changing views during the New Negro, the Harlem Renaissance, and Harlem’s Literati movements.
For decades, scholars have placed the “New Negro” and Harlem’s Literati movements and their participants under the Harlem Renaissance’s umbrella with these monikers used interchangeably in scholarship to describe a seemingly singular literary and cultural moment in history. In Rewriting Literary Blackness in Harlem: The Intertextuality of Hubert Harrison, George S. Schuler, and Wallace Thurman, Tammie Jenkins argues that these are distinct movements that share intertextually related ideological views that occurred on a literary continuum. Harrison’s, Schuyler’s, and Thurman’s contributions have rarely been viewed and analyzed through an isolation of their respective movements. Using works published by Harrison, Schuyler, and Thurman during the early twentieth century, Jenkins investigates how their works redefined blackness at the intersections of race, gender, class, and geography. This book provides new insight into the intertextual relationships between the New Negro Movement, the Harlem Renaissance and Harlem’s Literati to scholars and academic libraries interested in cultivating and expanding understandings in African American Literature, African American History, Black Studies, and African American Studies.
For decades, scholars have placed the “New Negro” and Harlem’s Literati movements and their participants under the Harlem Renaissance’s umbrella with these monikers used interchangeably in scholarship to describe a seemingly singular literary and cultural moment in history. In Rewriting Literary Blackness in Harlem: The Intertextuality of Hubert Harrison, George S. Schuler, and Wallace Thurman, Tammie Jenkins argues that these are distinct movements that share intertextually related ideological views that occurred on a literary continuum. Harrison’s, Schuyler’s, and Thurman’s contributions have rarely been viewed and analyzed through an isolation of their respective movements. Using works published by Harrison, Schuyler, and Thurman during the early twentieth century, Jenkins investigates how their works redefined blackness at the intersections of race, gender, class, and geography. This book provides new insight into the intertextual relationships between the New Negro Movement, the Harlem Renaissance and Harlem’s Literati to scholars and academic libraries interested in cultivating and expanding understandings in African American Literature, African American History, Black Studies, and African American Studies.
Tammie Jenkins, PhD, is an independent scholar of curriculum instruction.
Acknowledgments
Introduction: Passing for One, Now the Other
Chapter One: Hubert Henry Harrison: New Negro Street Corner Radicalism
Chapter Two: George Schuyler and his Black No More Renaissance
Chapter Three: Wallace Thurman’s Youth Blackens the Berries
Conclusion: Rethinking Blackness in Three Parts
Appendix: Further Readings
Bibliography
About the Author
Erscheint lt. Verlag | 15.8.2024 |
---|---|
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung | |
ISBN-10 | 1-6669-1126-7 / 1666911267 |
ISBN-13 | 978-1-6669-1126-8 / 9781666911268 |
Zustand | Neuware |
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